silent era

Flick Friday: George Washington, Jr. 1924

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IMDb & Amazon Image
Image Credit: IMDb & Amazon

One hundred years, ago, today, the movie George Washington, Jr., was released. A black & white silent comedy film, it starred Wesley Barry, Gertrude Olmstead, Léon Bary, Heinie Conklin, Otis Harlan, William Courtright and Eddie Phillips. Based on the 1906 play by George M. Cohan, it was directed by Malcolm St. Clair, with the screenplay & story by Rex Taylor.

As described in a film magazine review, Count Gorfa, anarchist leader, steals the private records of a Senate Investigative Committee, the loss of which threatens the political fortunes of Senator Belgrave, whose daughter the Count wishes to wed. The Senator’s son, the young George Washington Belgrave and his friend Robert Lee Hopkins trail the anarchists. After many adventures and burlesques of historical fables, the documents are recovered and the Senator is saved.

Wikipedia Plot

A senator is trying to get his niece to marry a foreign count. The senator’s teenage son finds out that the count is not only a phony but, an international criminal. The boy sets out to break up the impending marriage, save his father from ruin and, his cousin from marrying a man she doesn’t love.

IMDb Storyline

George Belgrave is guided by George Washington’s principles of integrity and honesty. He exposes his cousin Dolly’s fiancé, Count Tyrola, to be a bogus count and an internationally sought criminal. [As] the leader of the Vassalini gang, [he] steals a secret treaty from George’s father, a United States senator. It is Tyrola’s intention to use the treaty to cause political strife in Bessarabia. George, his friend Bob, and Ham, the negro butler, subdue the Vassalini gang and, after recovering the treaty, lock them up. Tyrola’s treachery is revealed seconds before the wedding ceremony. George, to save his father embarrassment, tells his only lie in giving him credit for the whole “plan” to capture Tyrola. Cousin Dolly marries friend Bob.

AFI Synopsis

This is a lost film. ~Vic

Trivia Bits:
♦ The original Broadway production of George Washington, Jr. opened at the Herald Square Theatre on February 12, 1906 and ran for 81 performances.
♦ The role of the servant Eton Ham was played by Conklin in blackface.

TCM: George Washington, Jr.
AFI: George Washington, Jr.
Exibitors Trade Review (Internet Archive)

Flick Friday: [The] Forbidden Lover 1923

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IMDb & Amazon Image One
Image Credit: IMDb & Amazon

One hundred years, ago, today, the black & white silent film [The] Forbidden Lover was released. Brackets around “THE” is a product of the differences of the title from data sources. This film is an edited version of The Power of Love, the very first 3-D movie, released on September 27, 1922 at the Ambassador Hotel Theater in Los Angeles. Both films are believed lost.

Directed by Nat G. Deverich and, written by Kate Corbaley & Caroline Crawford, it starred Elliot Sparling, Barbara Bedford, Noah Beery, Aileen Manning, Albert Prisco and John Herdman.

Yankee sea captain lands on the coast during the old Spanish days to trade with the ranch owners. He meets a girl who is betrothed to a man she loathes. After a series of adventures and narrow escapes, he shows up the unscrupulous ranch owner and wins the girl.

IMDb [The] Forbidden Lover Storyline
Motion Picture News Booking Guide
October 1923
Production Company: Sierra Productions
Tagline: A Romance Of Early California

IMDB & Amazon Image Two
Still Image
The Power Of Love
Image Credit: IMDb & Amazon

Because of his financial trouble, Don Almeda promises his daughter, Maria, to Don Alvarez but, Maria does not love [him]. In fact, she falls in love with Terry O’Neil, a stranger who has been wounded by robbers associated with Alvarez. O’Neil takes Alvarez’s place at a masked ball. Alvarez, in turn, robs the old Padre of some pearls and stabs him to death with O’Neil’s knife. He then accuses O’Neil of the murder and tries to shoot him but, wounds Maria instead, having thrown herself in front of him. Maria recovers and, after proving that Alvarez is a thief and a killer, weds O’Neil.

IMDb The Power of Love Storyline
Moving Picture World
October 1922
Production Company: Perfect Pictures
Tagline: A pair of spectacles will be handed to you as you enter the theatre, through which you will view the new sterescopic pictures.

The Power of Love was screened in front of a live audience at the Ambassador Hotel Theater […]. It was projected dual-strip in the red/green anaglyph format, making it both the earliest known film that utilized dual strip projection and the earliest known film in which anaglyph glasses were used. The camera rig used to shoot the film was made by the producers themselves and as you can imagine, it was far from perfect. Simply put, the film was not a success. It was screened, again, for exhibitors, and press, in New York City and, then, almost immediately fell out of sight. It was not booked again by other exhibitors. Unfortunately, we may never see what this movie looked like.

3-D TV & Movies

The first stereoscopic image dates to 1844, which makes 3-D images as old as the art of photography. [No] less a personage than Queen Victoria was photographed in 1854 in stereoscopic 3-D. 3-D stereoscopic moving images date to the 1850s with what was called the Kinetamatoscope [sic]. The first public display of a 3-D movie came in 1922 with The Power of Love […]. The film received a decent review in Moving Pictures World, then promptly disappeared from history by changing its title to Forbidden Lover and touring the country in a 2-D version. It was too complex and costly at the time to take 3-D on the road.

Randome
Looking Up/My Daily Plant Blogspot (Blogger)
Cirque de 3-D
March 6, 2009

What Was The First 3D Movie? (3D TV & Movies/Web Archive/06-02-2011)
A Tour Through The History Of 3-D Movies (Reelz/Jeff Otto/01-22-2009/Web Archive/07-20-2012)
Forbidden Lover (Silent Era/06-08-2013)
The Power of Love (Silent Era/10-16-2011)
Forbidden Lover (TCM)
The Forbidden Lover (AFI Catalog)
The Power of Love (AFI Catalog)
The Shot Of The Year (The Dissolve/Calum Marsh/12-19-2014)

Flick Friday: Barney Oldfield’s Race For A Life 1913

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Barney Oldfield Amazon IMDb Image
Image Credit: IMDb & Amazon

One-hundred, ten years ago, today, the black & white, silent comedy short (13 min., 14 sec.) Barney Oldfield’s Race For A Life was released. Directed & produced by Mack Sennett, it starred Mabel Normand, Sennett, Ford Sterling, Barney Oldfield, Raymond Hatton, William Hauber, Helen Holmes, Rube Miller & Carmen Phillips (per IMDb). Wikipedia is a bit different and I’m not sure why. Additional actors are Hank Mann, Al St. John and The Keystone Cops. Usually, cast listings match between IMDb & Wikipedia, as well as release date. The release dates don’t match, either…off by one day.

Virtuous Mabel rejects the improper advances of a villainous cad. The furious villain, and his henchmen, then seize Mabel and chain her to a railroad track. Mabel’s anxious boyfriend turns for help to the great Barney Oldfield, who jumps in his racing car and speeds to the rescue.

IMDb Storyline

A lady, Mabel Sweet and Lovely, is courted by a gentleman, A Bashful Suitor. He offers her a corsage, which she accepts. They coyly share a kiss. After the Suitor leaves, the Villain appears and grabs the lady. She hits him and escapes. This angers the Villain and he vows to get his way. At the next opportunity, the Villain, once again, kidnaps the lady, this time with the help of two henchmen and chains her to the railway tracks.

The three villains travel by handcar to the station, where they assault two workers and steal a locomotive engine. The villains drive the train back towards the location of Mabel, who is still tied to the tracks. The railyard worker alerts the Suitor about the situation, who then rushes to ask his friend, racecar driver, Barney Oldfield for help.

The two friends jump in the automobile and race the speeding hi-jacked locomotive to rescue the damsel in distress. Mabel is dramatically saved at the last moment and is carried away to safety. The foiled villain kills his accomplice and shoots five Keystone Cops arriving by handcar to arrest him. Finally, he turns the gun on himself but, upon discovering the bullet chamber empty, he drops dead in a rage.

Wikipedia Plot Summary

Movie Monday: Suffrage And The Man 1912

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Suffrage And The Man IMDb Amazon Image
Image Credit: IMDb & Amazon

One hundred, ten years ago, today, the B&W silent, short comedy film Suffrage and the Man was released. Produced by the French company Eclair, in conjunction with the Women’s Political Union, its original title was Suffrage Wins Herbert.

A young man learns that his betrothed is leaning toward the suffragette cause. He remonstrates with her father to be told “My butler and my bootblack may vote, why not my wife and daughter?” He cannot agree, however and their quarrel brings about a broken engagement. Disappointed and unhappy, he seeks forgetfulness by going to a summer resort. There, he succumbs to the wiles of a designing mother and, caught in an embarrassing position, her daughter “feinting a faint” in his arms, he permits their engagement to be announced. He learns, by an accidental eavesdropping, of the mother’s trickery. He loses no time to denounce the deception and withdraw his offer of marriage. The mother and daughter promptly start suit tor breach of promise. In the meantime, votes have been won for women. The trial of the suit comes up before a mixed jury of men and women with the old sweetheart as forewoman of the twelve peers. Their verdict is acquittal and, as might be expected, “Suffrage Wins Herbert” with a permanently happy result in his reconciliation and marriage.

IMDb Summary
Written by: Moving Picture World

According to Silent Era, the director is unknown, the cast is unknown and the film’s survival status is unknown. There is one trivia bit…it is based on a story written by playwright Dorothy Steele. ~Vic

Movie Monday: The Sporting Venus 1925

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The Sporting Venus Image One
Image Credit: Mike Cline’s Then Playing Blog

Ninety-five years ago, today, the silent, black & white romance film The Sporting Venus was released by MGM. Directed by Marshall Neilan, story by Gerald Beaumont and screenplay by Thomas J. Geraghty, it was filmed at Cortachy Castle in Angus, Scotland and, MGM Studios. It starred Blanche Sweet (Neilan’s wife), Ronald Coleman, Lew Cody, Josephine Crowell and Edward Martindel. This was the first of two movies paring Sweet with Coleman.

Synopsis:

Lady Gwen, the last of the sporting Grayles, falls in love with Donald MacAllan, a bright young medical student far below her station. Gwen’s father, who opposes the match, introduces her to Prince Carlos, who wishes to marry her in order to pay off his creditors.

The Sporting Venus Image One
Photo Credit: imdb.com & amazon.com

Donald enlists during the World War and Carlos continues his courtship. When Donald returns from the fighting, Carlos tells him that he is engaged to Gwen and Donald, therefore, makes no attempt to see her. Gwen mistakes Donald’s seeming indifference for contempt and seeks to forget him by living riotously in several European capitals. Having exhausted her fortune, and ruined her health, Gwen returns to Scotland and goes to live in the same cottage where Donald used to study. She becomes ill and, in delirium, calls for Donald. Her old nurse goes to fetch him at the Grayle estate, which, having become wealthy, he has just bought. Donald rescues Gwen, who has wandered out in a storm, and nurses her back to health.

The Screen Review:

A Hollywood conception of Scotsmen who wear the kilt but, whose complexions betray nary a sign of the ruddy ruggedness due to Highland rain and wind, is to be seen at the Capitol this week in a picture called “The Sporting Venus” […]. [There] is a question [of] whether the Wallaces, the Bruces, the Watts and the McTavishes will smile with any satisfaction upon it. Not that they are intentionally maligned in this story but, that the men from the land of the heather are portrayed with studio-blanched complexions and, in one or two instances, wearing brocaded silk dressing gowns.

Ronald Coleman Image Two
Photo Credit: Ronald Coleman Gallery

Marshall Neilan, the director of this celluloid effusion, in his desire to depict Lady Grayle (Blanche Sweet) as a plucky person at the eleventh hour of a fast life, shows her ladyship smoking a cigarette before she breathes her last. Ronald Colman is undoubtedly a bonnie actor but, you just know that he never was born to wear a kilt, [though], he does for a few scenes. He impersonates Donald McAllen, frequently alluded to as a commoner.

Donald and the capricious lassie, Lady Gwendolyn, are happy in Scotland until the coming of Prince Carlos […]. This Prince, played by Lew Cody, is a man of many debts and a faithful valet. His creditors see only one way to get back their money and that is to have the oily gentleman marry a wealthy wife. Donald goes to France to fight, and when he returns on leave, [believes] the Prince’s story […] that [he], more or less, is to wed Lady Gwendolyn.

Lady Gwendolyn […] becomes […] a flighty young woman who gambles in millions. The young hero goes back to France, and as a surgeon, makes a great name for himself. He purchases Grayloch, the great estate of the Grayles.

With the background of Scotland, Mr. Neilan ought to have been able to make a production far stronger than this effort, which, at best, is only a mediocre diversion. It is true that it has some beautiful scenery and the settings are quite pleasing.

Mordaunt Hall
The New York Times
May 11, 1925

This film survived but, I can’t find any clips of it. Silent Era states that a premiere took place on May 10, 1925, at the Capitol Theatre in New York City and was released May 17, 1925. AFI disagrees. ~Vic

Sources:
The Sporting Venus (American Film Institute)
The Sporting Venus (IMDB)
Gentleman of the Cinema (Ronald Coleman Website)
The Screen (The New York Times)
The Sporting Venus (Wikipedia)

Flick Friday: The Death Train 1915

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The Death Train Image
Photo Credit: anthonybalducci.blogspot.com
A Silent Film Rule:
Pies Go Splat But Damsels Never Do

Oh, it has been work looking for a film for today’s date. IMDB had plenty to choose from but, I couldn’t seem to get any further information from the others…Wikipedia, American Film Institute, Turner Classic Movies… Even the Silent Era site and Silent Hollywood were slim pickings and, Silentology had nothing.

Anyway, one hundred, five years ago, today, Episode #17 of The Hazards of Helen, The Death Train, was released. Similar to The Perils of Pauline, The Hazards of Helen was a film serial or series that ran from November 7, 1914 to February 24, 1917.

There were 119 episodes that were 12 minutes long, most of which have been lost. Based upon a novel written by John Russell Corvell and a play written by Denman Thompson, W. Scott Darling adapted the material for the silent screen and Edward T. Matlack wrote The Death Train, specifically. Directors were J. P. McGowan (1-48) and J. Gunnis Davis for the rest. The original actress was Helen Holmes (1-48), followed by Helen Gibson for the remainder of the series, with Anna Nilsson filling in for Holmes for Episode #18.

This episode also starred Rex Downs, M. J. Murchison, Edmund ‘Hoot’ Gibson, Leo D. Maloney and George A. Williams. Helen Holmes did most of her own stunts.

IMDB Summary:

The discovery that detectives are on their trail causes Doyle, Broden and Etzer, counterfeiters, to pack their paraphernalia into a trunk and express it to Lone Point. Upon its arrival at that station, a corner of the trunk is smashed. Helen thus learns of its contents. The telegrapher immediately wires to Savage, a railroad detective. The latter, accompanied by Duncan, a Secret Service detective, hastens to the scene. At their suggestion, Helen arranges a trap for the counterfeiters. When the latter appear, they are set upon by the officers. Etzer is captured but, his pals get away. Doyle eludes pursuit but, Broden later falls into Savage’s hands. Helen, watching the pursuit, ventures on the high trestle which crosses the dry bed of the Loro River. Doyle, who is hiding, sees Helen. Overpowered by a desire for revenge, the man attacks the telegrapher and makes her a prisoner. A rope lies nearby. Binding Helen, Doyle suspends his victim from the trestle and fastens the end of the line around the rails. Duncan sees this from afar. Although he rushes forward, he knows that the Keene local, due any moment, will cut the rope as it crosses the trestle. Meanwhile, Helen, after a tremendous effort, frees her hands. There is one chance for life. The girl commences swinging her body. Each time, she [manages] a wider arc. The train is crossing the trestle when Helen swings toward a beam. The engine wheels sever the rope. Helen flies through the air and reaches the beam. Doyle is captured. Savage and Duncan raise Helen to the tracks and find her uninjured.

Moving Picture World

This is one of the lost pieces so, there isn’t a YouTube clip and I could only find one picture. ~Vic

Additional Reading
Lost Films (European Union/German site)
Silent Era
Silent Hollywood (More on Helen Holmes)

Flick Friday: The Roman 1910

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The Roman 1910 Image One
Image Credit: imdb.com & amazon.com

One hundred, ten years ago, the silent, black & white short film The Roman was released. Directed by Francis Boggs and written by Edward Bulwer-Lytton, it starred Hobart Bosworth, Betty Harte, Robert Z. Leonard and Tom Santschi. It was filmed at the studios of the Selig Polyscope Company.

The Moving Picture World (January-June 1910 Archive):

Perhaps the most attractive feature of this picture is the reproduction of early Roman costumes and Roman surroundings. It is a story of political intrigue, with all the contests and disagreeable features, connected therewith in the ancient city. But, the reproduction of manners and customs and, the historically correct scenery and settings, add immensely to the interest and, insure attention when, perhaps, the mere political story would scarcely be considered. The greatest service the motion picture can do is in the direction of educating the people, and a film like this, which faithfully illustrates long past and, perhaps, partially forgotten life, is of vast importance and, deserves a cordial reception. The Selig players have brought enthusiasm to their work and, have put much ability and life into the interpretation of this play.

American Film Institute (AFI) History:

This film may have been based on the 1835 novel Rienzi, the Last of the Tribunes, by Edward Bulgar-Lytton [sic]. An advertisement in the [February] 19, 1910, Film Index billed Bosworth above the title, “Hobart Bosworth in The Roman,” and labeled the movie “Film De Art of the Classics,” declaring: “Its teachings are based upon the scriptures and traditions of the early history of the eternal city.” The advertisement also suggested that theater owners book The Roman as a “Special Lenten Picture.”

A young woman [orders] her girl slave to deposit in the waters of the Tiber a child which she has cause to be rid of. The infant is found by one of the aristocracy and adopted. In later years she is betrothed but, just before the wedding, the ruler of the land claims the young woman, on the ground that she was born in slavery. By military force, she is torn from the arms of her foster father and taken to the ruling house where she is held captive for only a few hours, as the father and young lover, have aroused a popular rebellion which overthrows the ruler, end[ing] in his death and the defeat of his defenders. (Variety February 19, 1910)

One Trivia Bit:
♦ Per [Hobart] Bosworth, first picture made at Selig’s (Studio at 1845 Allesandro Street, now Glendale Blvd.) in the Edendale (now Silver Lake) plant of Los Angeles.

[There was not much written about this film and no video clip(s). The image, above, doesn’t seem to jive with the TCM synopsis. But, that is all I could find.

Addendum: I continued to dig and found the, above, write-ups via the Internet Archive database and AFI. Turner Classic Movies synopsis was WAY off. ~Vic]