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Flick Friday: George Washington, Jr. 1924

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IMDb & Amazon Image
Image Credit: IMDb & Amazon

One hundred years, ago, today, the movie George Washington, Jr., was released. A black & white silent comedy film, it starred Wesley Barry, Gertrude Olmstead, Léon Bary, Heinie Conklin, Otis Harlan, William Courtright and Eddie Phillips. Based on the 1906 play by George M. Cohan, it was directed by Malcolm St. Clair, with the screenplay & story by Rex Taylor.

As described in a film magazine review, Count Gorfa, anarchist leader, steals the private records of a Senate Investigative Committee, the loss of which threatens the political fortunes of Senator Belgrave, whose daughter the Count wishes to wed. The Senator’s son, the young George Washington Belgrave and his friend Robert Lee Hopkins trail the anarchists. After many adventures and burlesques of historical fables, the documents are recovered and the Senator is saved.

Wikipedia Plot

A senator is trying to get his niece to marry a foreign count. The senator’s teenage son finds out that the count is not only a phony but, an international criminal. The boy sets out to break up the impending marriage, save his father from ruin and, his cousin from marrying a man she doesn’t love.

IMDb Storyline

George Belgrave is guided by George Washington’s principles of integrity and honesty. He exposes his cousin Dolly’s fiancé, Count Tyrola, to be a bogus count and an internationally sought criminal. [As] the leader of the Vassalini gang, [he] steals a secret treaty from George’s father, a United States senator. It is Tyrola’s intention to use the treaty to cause political strife in Bessarabia. George, his friend Bob, and Ham, the negro butler, subdue the Vassalini gang and, after recovering the treaty, lock them up. Tyrola’s treachery is revealed seconds before the wedding ceremony. George, to save his father embarrassment, tells his only lie in giving him credit for the whole “plan” to capture Tyrola. Cousin Dolly marries friend Bob.

AFI Synopsis

This is a lost film. ~Vic

Trivia Bits:
♦ The original Broadway production of George Washington, Jr. opened at the Herald Square Theatre on February 12, 1906 and ran for 81 performances.
♦ The role of the servant Eton Ham was played by Conklin in blackface.

TCM: George Washington, Jr.
AFI: George Washington, Jr.
Exibitors Trade Review (Internet Archive)

Flick Friday: Friday The Thirteenth 1933

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IMDb & Amazon Image
Image Credit: IMDb & Amazon

I got lucky, today and found a Friday The 13th movie that had nothing to do with Jason or Camp Crystal Lake. Ninety years, ago, Friday The Thirteenth was released in the UK, at some point in November of 1933. The movie opened in New York on May 14, 1934. Curiously, this movie seems more science-fiction than spook. ~Vic

Directed by Victor Saville, produced by Michael Balcon and written by Sidney Gilliat, George Moresby-White, & Emlyn Williams, it starred Jessie Matthews, Sonnie Hale, Muriel Aked, Cyril Smith, Richard Hulton, Max Miller and, Alfred Drayton.

IMDb & Amazon Image Two
Jessie Matthews as Millie
Photo Credit: IMDb & Amazon

It is pouring with rain at one minute to midnight on Friday the thirteenth and the driver of a London bus is peering through his blurred windshield as his vehicle sails down an empty road. Suddenly, lightning strikes and a vast crane above topples into the path of the oncoming bus. Then, Big Ben begins to wind backwards. Time recedes and we discover the lives of all of the passengers, and the events that brought them to that late-night bus journey, from the con man with a hundred pound cheque to the businessman’s distraught elderly wife. Time flows on, inevitably, to the crash and past it, as some live and some die.

IMDb Storyline

The complicated lives of twelve people travelling on a bus are traced up to the point when the bus crashes into a shop, killing two of the passengers.

BFI Screen Online

In London, near midnight, as a rain storm rages, several people travel across the city on a bus. Of the passengers, one elderly woman seems anxious and upset, a young man who has just been robbed by a pickpocket gratefully accepts money for his fare from another passenger, another man boasts of his knowledge of art, and a young woman angrily destroys a photo of a man. When a lightning strike causes the bus to crash, each passenger recalls what brought them on the ill-fated journey.

Rotten Tomatoes Movie Info

After a London bus crash leaves two people dead and several injured, the clock is turned back twenty-four hours to show the lives of the bus passengers, how they happened to be on that bus at that time, and the effect of the crash upon their lives.

TCM/AFI Synopsis

AllMovie Synopsis (Hal Erickson)
Review: Friday The Thirteenth (1933) (Comet Over Hollywood/Jessica Pickens/April 13, 2018)

You can watch the entire movie on the Internet Archive HERE.

Flick Friday: [The] Forbidden Lover 1923

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IMDb & Amazon Image One
Image Credit: IMDb & Amazon

One hundred years, ago, today, the black & white silent film [The] Forbidden Lover was released. Brackets around “THE” is a product of the differences of the title from data sources. This film is an edited version of The Power of Love, the very first 3-D movie, released on September 27, 1922 at the Ambassador Hotel Theater in Los Angeles. Both films are believed lost.

Directed by Nat G. Deverich and, written by Kate Corbaley & Caroline Crawford, it starred Elliot Sparling, Barbara Bedford, Noah Beery, Aileen Manning, Albert Prisco and John Herdman.

Yankee sea captain lands on the coast during the old Spanish days to trade with the ranch owners. He meets a girl who is betrothed to a man she loathes. After a series of adventures and narrow escapes, he shows up the unscrupulous ranch owner and wins the girl.

IMDb [The] Forbidden Lover Storyline
Motion Picture News Booking Guide
October 1923
Production Company: Sierra Productions
Tagline: A Romance Of Early California

IMDB & Amazon Image Two
Still Image
The Power Of Love
Image Credit: IMDb & Amazon

Because of his financial trouble, Don Almeda promises his daughter, Maria, to Don Alvarez but, Maria does not love [him]. In fact, she falls in love with Terry O’Neil, a stranger who has been wounded by robbers associated with Alvarez. O’Neil takes Alvarez’s place at a masked ball. Alvarez, in turn, robs the old Padre of some pearls and stabs him to death with O’Neil’s knife. He then accuses O’Neil of the murder and tries to shoot him but, wounds Maria instead, having thrown herself in front of him. Maria recovers and, after proving that Alvarez is a thief and a killer, weds O’Neil.

IMDb The Power of Love Storyline
Moving Picture World
October 1922
Production Company: Perfect Pictures
Tagline: A pair of spectacles will be handed to you as you enter the theatre, through which you will view the new sterescopic pictures.

The Power of Love was screened in front of a live audience at the Ambassador Hotel Theater […]. It was projected dual-strip in the red/green anaglyph format, making it both the earliest known film that utilized dual strip projection and the earliest known film in which anaglyph glasses were used. The camera rig used to shoot the film was made by the producers themselves and as you can imagine, it was far from perfect. Simply put, the film was not a success. It was screened, again, for exhibitors, and press, in New York City and, then, almost immediately fell out of sight. It was not booked again by other exhibitors. Unfortunately, we may never see what this movie looked like.

3-D TV & Movies

The first stereoscopic image dates to 1844, which makes 3-D images as old as the art of photography. [No] less a personage than Queen Victoria was photographed in 1854 in stereoscopic 3-D. 3-D stereoscopic moving images date to the 1850s with what was called the Kinetamatoscope [sic]. The first public display of a 3-D movie came in 1922 with The Power of Love […]. The film received a decent review in Moving Pictures World, then promptly disappeared from history by changing its title to Forbidden Lover and touring the country in a 2-D version. It was too complex and costly at the time to take 3-D on the road.

Randome
Looking Up/My Daily Plant Blogspot (Blogger)
Cirque de 3-D
March 6, 2009

What Was The First 3D Movie? (3D TV & Movies/Web Archive/06-02-2011)
A Tour Through The History Of 3-D Movies (Reelz/Jeff Otto/01-22-2009/Web Archive/07-20-2012)
Forbidden Lover (Silent Era/06-08-2013)
The Power of Love (Silent Era/10-16-2011)
Forbidden Lover (TCM)
The Forbidden Lover (AFI Catalog)
The Power of Love (AFI Catalog)
The Shot Of The Year (The Dissolve/Calum Marsh/12-19-2014)

Flick Friday: To Hell With The Kaiser! 1918

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Moving Picture World Image
Image Credit: Moving Picture World
Source: Archive Image
Author: Metro Pictures/Screen Classics, Inc.

One-hundred, five years, ago, today…the silent black & white, comedy-drama To Hell With The Kaiser! was released. Written by June Mathis and directed by George Irving, it starred Lawrence Grant (as The Kaiser/actor Robert Graubel), Olive Tell, Betty Howe, John Sunderland, Earl Schenck (as the Crown Prince), Mabel Wright, Frank Currier, Karl Dane and Walter P. Lewis as Satan.

Following the death of his father, Frederick III of Germany, Wilhelm Hohenzollern becomes the German Kaiser and forms a pact with the devil that, he will conquer the globe in exchange for his soul. During the Kaiser’s invasion of Belgium, the Crown Prince enters a church and rapes Ruth Monroe, the daughter of an American inventor who has perfected a noiseless communications device. When the professor denounces the Crown Prince, he immediately is shot, whereupon his other daughter Alice vows to obtain revenge. While Alice’s sweetheart, Winslow Dodge, fights with the Americans as an aviator, she arranges to meet the Crown Prince through her friend Robert Graubel, an actor who impersonates the Kaiser at public functions. With her father’s wireless [device], Alice informs Winslow of the Kaiser’s whereabouts and, as he captures the German emperor, she kills the Crown Prince. Now a prisoner, the Kaiser drowns himself and wakes up in Hell, where Satan abdicates in his favor, saying that the Kaiser’s tortures are more fiendish than any he ever devised.

IMDb Storyline

IMDb Amazon Image Two
Image Credit: Rainfall Website (Web Archive)
Lobby Poster
IMDb & Amazon

Lawrence Grant, who spent his lengthy career playing odious villains, appeared in the dual role of Kaiser Wilhelm II and his look-alike, German actor Robert Graubel. Terrified of being assassinated, the Kaiser hires Graubel to impersonate him at various political functions. In the film, the Kaiser achieves military success through an infernal pact with Satan. Once this is established, the film concentrates on the seemingly endless tally of misdeeds perpetrated by the Kaiser during his quarter-century reign over Germany. His “partner in crime” is the Crown Prince […], who thinks nothing of casually raping convent girls and gunning down protesting nuns. The Crown Prince’s latest conquest is Ruth Monroe […], the daughter of an American inventor. When Ruth’s father protests this outrage, he is brutally murdered, whereupon Ruth’s sister Alice […] vows revenge. Using her father’s newest invention, a wireless machine whose coded messages cannot be intercepted, Alice directs a battalion of planes to bomb the small German village where the Kaiser is hiding. Captured by the Allies, the Kaiser is ignominiously dumped in a POW camp but, not before enduring a well-aimed sock on the jaw from a pugnacious dough-boy. In despair, the Kaiser commits suicide and sends his soul to hell. In hell, the devil […] gives up his throne, confessing that the Kaiser is far more sinister than he could ever hope to be.

Wikipedia Plot

[On June 8, 1918], Motography ran a Screen Classics press release explaining that To Hell With The Kaiser “reveals the machinations of Europe’s military monster before and during the war, his contempt for Americans […], his elaborate plans to crush France, […] destroy Russia, […] partition the world, […] his [order] to employ deadly gases in the war, the true circumstances under which he ordered the sinking of the Lusitania, the raiding of hospitals […].” Years before the war, Mr. Grant’s physical likeness to the German ruler was noted by a high official of the Kaiser’s court and a proposition was made for Grant to play the Kaiser in a dramatization […]. The war broke out before discussions went any further.

Actor John Sunderland, playing American pilot Winslow Dodge, was himself “an aviator who has seen service in Belgium.”

[It] had been released in the press that Kaiser Wilhelm II had half a dozen doubles who were employed to pose for him in various parts of the country, where there might be danger of assassination, while the real Kaiser, himself, remained safe behind this cloak.

To Hell With The Kaiser opened in New York City at the Broadway Theatre on June 30, 1918, immediately after it had emerged from the cutting and editing rooms […].

The film turned out to be an effective propaganda tool […]. Not only has the picture been shown in munitions plants and training camps […] but, this power has now been demonstrated in a new way…to convert conscientious objectors.

The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

AFI History

I found the building of this post fascinating. What started out as a simple movie post, turned into a history lesson. It’s a shame that it is lost. There are photographs of still pictures on IMDb. ~Vic

Movie Monday: To Hell and Back 1955

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To Hell and Back Image One
Image Credit: IMDB & Amazon

Sixty-five years ago, today, the war film To Hell and Back was released, originally in San Antonio. Directed by Jesse Hibbs and based on the book of the same name, it starred Audie Murphy, Marshall Thompson, Charles Drake, Jack Kelly, Gregg Palmer, Paul Picerni, David Janssen, Denver Pyle, Brett Halsey (Admiral’s great-nephew) and Gordon Gebert as a young Audie.

IMDB Summary:

Biopic of the wartime exploits of Audie Murphy (played by himself), the most decorated US soldier in World War II. Starting with his boyhood in Texas, where he became the head of his family at a young age, the story follows his enrollment in [the] Army where he was assigned to the 3rd Division. He fought in North Africa, Sicily and Italy, before landing in southern France and, eventually, fighting in Germany. A Medal of Honor recipient, he also received battle honors from the French and Belgian government.

Rotten Tomatoes Summary:

The highly variable Audie Murphy delivers his best screen performance as “himself” in Universal‘s To Hell and Back. Based on the star’s autobiography, this is the story of how Murphy became America’s most-decorated soldier during WW II. After dwelling a bit on Murphy’s hard-scrabble Texas upbringing, the story moves ahead to 1942, when, as a teenager, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and, ultimately, Germany and Austria. One by one, the members of Murphy’s Company B are killed in the war, until only three men from the original company are left. [The] others appear at the finale as ghostly images […]. The bulk of the film is given over to Murphy’s conspicuous acts of combat bravery and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual.

Audie Murphy Image Two
Date: 1948
Photo Author: Fort Detrick
Wikipedia & Wikimedia

Trivia Bits:
Filmed at Fort Lewis, WA, Yakima River, WA, Oak Creek Wildlife Area, WA and Universal Studios.
♦ Audie Murphy originally declined the opportunity to portray himself in the movie, not wanting people to think that he was attempting to cash in on his role as a war hero. Murphy initially suggested his friend Tony Curtis to play him.
♦ Audie Murphy’s war buddy Onclo Airheart was slated to play himself, but he declined due to the fact that the movie was to be shot during planting season.
♦ [Author] David Morell [sic] cites Audie Murphy as the inspiration for the character of John Rambo.
♦ In the movie, […] Murphy does his one-man standoff on top of a medium M-4 Sherman tank. [In] real life it happened on top of an M10 Wolverine tank destroyer.
♦ Audie Murphy’s feats of heroism and his much decorated status have been compared to those of his counterpart during World War I, Sgt. Alvin C. York […].

Murphy […] wrote poetry and songs, and, himself a sufferer, was among the first advocates for Post-Traumatic Stress Disorder. He died on May 28, 1971, when the private airplane in which he was riding crashed.

Additional Reading:
To Hell and Back (American Film Institute)
To Hell and Back (Turner Classic Movies)
Alvin York (Wikipedia)
Audie Murphy (Wikipedia)

Flick Friday: Vigilante Hideout 1950

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Vigilante Hideout Image One
Image Credit: IMDB & Amazon

Technically, today is also a bust for Flick Friday, just like my July 24 post. There were no movie releases, today, in 1950, either, so I will grab the August 6 release. Seventy years ago, yesterday, the western film Vigilante Hideout was released. Directed by Fred C. Bannon and written by Richard Wormser, it starred Allan Lane, Black Jack (Allan Lane’s horse), Eddie Waller, Roy Barcroft and Virginia Herrick.

IMDB Summary:

Rocky (Lane), a Range Detective, arrives to help Nugget (Waller) with rustlers. When he learns Nugget owns only three cows, he stays on, anyway and, soon, becomes involved in Benson’s attempt to blow open the bank’s safe. When Rocky upsets his plans, Benson (Don Haggerty), supposedly, gets rid of him by having him declared an outlaw, wanted dead or alive. Then, Benson takes a load of explosives into an old mine located directly under the bank vault.

Vigilante Hideout Image Two
Image Credit: Wikipedia & Wikimedia

Letterboxd Summary:

Double-barreled justice catches up with a cold-blooded killer when “Rocky” takes up the chase! Cattle detective, Rocky Lane, arrives in town to investigate cattle disappearances only to realize just three cows, owned by eccentric inventor Nugget Clark, are involved. However, the disappearances lead to a deeper mystery involving dynamite explosions, rampaging cowboys and a water shortage.

TV Guide Summary:

Lane and his trusty black stallion are on hand to help old-timer Waller find water for a town which is threatening to fold up due to drought. Some crooked townsfolk don’t want the water to be found because they want to collect on the $25,000 being stashed away for an aqueduct. Lane’s job is to make sure these people don’t pose too much of a problem, while Waller goes about finding the water. The characterization of Waller as a crazed inventor of gadgets is an added attraction to this oater with a realistic bent.

Full Synopsis (Turner Classic Movies)

Additional Reading:
American Film Institute

The Complete Movie

Movie Monday: Cinderella’s Feller 1940

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YouTube Image One
Photo Credit: YouTube

Eighty years ago, today, the Technicolor Special (Warner Bros. Series) short family musical Cinderella’s Feller was released. Directed by William C. McGann and produced by Gordon Hollingshead, it starred Juanita Quigley, Scotty Beckett, Maris Wrixon, Virginia Brissac and, Terry as Rex the Dog, the Cairn Terrier best known as Toto in the MGM film The Wizard of Oz.

I can’t find much written about this little short, though it is on YouTube in its entirety. It’s only a little over 19 minutes long. It is not listed on Turner Classic Movies or the American Film Institute but, does show up on the British Film Institute…which I find odd.

The site Letterboxd simply states:

The story of Cinderella with a children’s cast.

Cinderella's Feller Image Two
Photo Credit: IMDB

IMDB is not much longer:

The famous fairy tale is musicalized and given a modern 1940s spin with the principal characters (Cinderella, Prince Charming and the Wicked Step Sisters) all played by children.

I guess the story of The Little Glass Slipper needs no explaining.

Trivia Bit:
♦ This short was produced toward the tail end of Shirley Temple‘s reign as Hollywood’s #1 box office star and it’s reasonable to assume it was made to showcase young talent that Warner Brothers may have thought had a shot at replicating Temple’s success.

Additional Reading:
Cairn Movie Descriptions 1940 (Cairn Terrier Movies Site)
Cinderella Folk Tale (Wikipedia)

Movie Monday: The Sporting Venus 1925

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The Sporting Venus Image One
Image Credit: Mike Cline’s Then Playing Blog

Ninety-five years ago, today, the silent, black & white romance film The Sporting Venus was released by MGM. Directed by Marshall Neilan, story by Gerald Beaumont and screenplay by Thomas J. Geraghty, it was filmed at Cortachy Castle in Angus, Scotland and, MGM Studios. It starred Blanche Sweet (Neilan’s wife), Ronald Coleman, Lew Cody, Josephine Crowell and Edward Martindel. This was the first of two movies paring Sweet with Coleman.

Synopsis:

Lady Gwen, the last of the sporting Grayles, falls in love with Donald MacAllan, a bright young medical student far below her station. Gwen’s father, who opposes the match, introduces her to Prince Carlos, who wishes to marry her in order to pay off his creditors.

The Sporting Venus Image One
Photo Credit: imdb.com & amazon.com

Donald enlists during the World War and Carlos continues his courtship. When Donald returns from the fighting, Carlos tells him that he is engaged to Gwen and Donald, therefore, makes no attempt to see her. Gwen mistakes Donald’s seeming indifference for contempt and seeks to forget him by living riotously in several European capitals. Having exhausted her fortune, and ruined her health, Gwen returns to Scotland and goes to live in the same cottage where Donald used to study. She becomes ill and, in delirium, calls for Donald. Her old nurse goes to fetch him at the Grayle estate, which, having become wealthy, he has just bought. Donald rescues Gwen, who has wandered out in a storm, and nurses her back to health.

The Screen Review:

A Hollywood conception of Scotsmen who wear the kilt but, whose complexions betray nary a sign of the ruddy ruggedness due to Highland rain and wind, is to be seen at the Capitol this week in a picture called “The Sporting Venus” […]. [There] is a question [of] whether the Wallaces, the Bruces, the Watts and the McTavishes will smile with any satisfaction upon it. Not that they are intentionally maligned in this story but, that the men from the land of the heather are portrayed with studio-blanched complexions and, in one or two instances, wearing brocaded silk dressing gowns.

Ronald Coleman Image Two
Photo Credit: Ronald Coleman Gallery

Marshall Neilan, the director of this celluloid effusion, in his desire to depict Lady Grayle (Blanche Sweet) as a plucky person at the eleventh hour of a fast life, shows her ladyship smoking a cigarette before she breathes her last. Ronald Colman is undoubtedly a bonnie actor but, you just know that he never was born to wear a kilt, [though], he does for a few scenes. He impersonates Donald McAllen, frequently alluded to as a commoner.

Donald and the capricious lassie, Lady Gwendolyn, are happy in Scotland until the coming of Prince Carlos […]. This Prince, played by Lew Cody, is a man of many debts and a faithful valet. His creditors see only one way to get back their money and that is to have the oily gentleman marry a wealthy wife. Donald goes to France to fight, and when he returns on leave, [believes] the Prince’s story […] that [he], more or less, is to wed Lady Gwendolyn.

Lady Gwendolyn […] becomes […] a flighty young woman who gambles in millions. The young hero goes back to France, and as a surgeon, makes a great name for himself. He purchases Grayloch, the great estate of the Grayles.

With the background of Scotland, Mr. Neilan ought to have been able to make a production far stronger than this effort, which, at best, is only a mediocre diversion. It is true that it has some beautiful scenery and the settings are quite pleasing.

Mordaunt Hall
The New York Times
May 11, 1925

This film survived but, I can’t find any clips of it. Silent Era states that a premiere took place on May 10, 1925, at the Capitol Theatre in New York City and was released May 17, 1925. AFI disagrees. ~Vic

Sources:
The Sporting Venus (American Film Institute)
The Sporting Venus (IMDB)
Gentleman of the Cinema (Ronald Coleman Website)
The Screen (The New York Times)
The Sporting Venus (Wikipedia)

Flick Friday: The Girl In Number 29 1920

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The Girl In Number 29 Image One
Image Credit: Movie Poster Database
wikipedia.org & wikimedia.org

One-hundred years ago, today, the silent black & white drama film The Girl In Number 29 premiered (though not released, widely). Directed by John Ford and written by Philip D. Hurn, it was based upon the novel The Girl In The Mirror (1919) by Elizabeth Jordan. Starring Frank Mayo, Elinor Fair, Claire Anderson, Robert Bolder and Bull Montana, it is considered a lost film.

Frank Mayo & Claire Anderson Image Two
Frank Mayo & Claire Anderson
Image Credit: Motion Picture News
wikipedia.org & wikimedia.org

From AFI:

After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.

From MPN:

Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.

Elinor Fair & Harry Hilliard Image Three
Elinor Fair & Harry Hilliard
Image Credit: Exhibitors Herald
archive.org
wikipedia.org & wikimedia.org

Additional Reading & Sources
American Film Institute
IMDB
Web Archive
Wikipedia

Flick Friday: The Death Train 1915

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The Death Train Image
Photo Credit: anthonybalducci.blogspot.com
A Silent Film Rule:
Pies Go Splat But Damsels Never Do

Oh, it has been work looking for a film for today’s date. IMDB had plenty to choose from but, I couldn’t seem to get any further information from the others…Wikipedia, American Film Institute, Turner Classic Movies… Even the Silent Era site and Silent Hollywood were slim pickings and, Silentology had nothing.

Anyway, one hundred, five years ago, today, Episode #17 of The Hazards of Helen, The Death Train, was released. Similar to The Perils of Pauline, The Hazards of Helen was a film serial or series that ran from November 7, 1914 to February 24, 1917.

There were 119 episodes that were 12 minutes long, most of which have been lost. Based upon a novel written by John Russell Corvell and a play written by Denman Thompson, W. Scott Darling adapted the material for the silent screen and Edward T. Matlack wrote The Death Train, specifically. Directors were J. P. McGowan (1-48) and J. Gunnis Davis for the rest. The original actress was Helen Holmes (1-48), followed by Helen Gibson for the remainder of the series, with Anna Nilsson filling in for Holmes for Episode #18.

This episode also starred Rex Downs, M. J. Murchison, Edmund ‘Hoot’ Gibson, Leo D. Maloney and George A. Williams. Helen Holmes did most of her own stunts.

IMDB Summary:

The discovery that detectives are on their trail causes Doyle, Broden and Etzer, counterfeiters, to pack their paraphernalia into a trunk and express it to Lone Point. Upon its arrival at that station, a corner of the trunk is smashed. Helen thus learns of its contents. The telegrapher immediately wires to Savage, a railroad detective. The latter, accompanied by Duncan, a Secret Service detective, hastens to the scene. At their suggestion, Helen arranges a trap for the counterfeiters. When the latter appear, they are set upon by the officers. Etzer is captured but, his pals get away. Doyle eludes pursuit but, Broden later falls into Savage’s hands. Helen, watching the pursuit, ventures on the high trestle which crosses the dry bed of the Loro River. Doyle, who is hiding, sees Helen. Overpowered by a desire for revenge, the man attacks the telegrapher and makes her a prisoner. A rope lies nearby. Binding Helen, Doyle suspends his victim from the trestle and fastens the end of the line around the rails. Duncan sees this from afar. Although he rushes forward, he knows that the Keene local, due any moment, will cut the rope as it crosses the trestle. Meanwhile, Helen, after a tremendous effort, frees her hands. There is one chance for life. The girl commences swinging her body. Each time, she [manages] a wider arc. The train is crossing the trestle when Helen swings toward a beam. The engine wheels sever the rope. Helen flies through the air and reaches the beam. Doyle is captured. Savage and Duncan raise Helen to the tracks and find her uninjured.

Moving Picture World

This is one of the lost pieces so, there isn’t a YouTube clip and I could only find one picture. ~Vic

Additional Reading
Lost Films (European Union/German site)
Silent Era
Silent Hollywood (More on Helen Holmes)

Movie Monday: Fifteen Wives 1934

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Fifteen Wives Image One
Image Credit: imdb.com

Eighty-five years ago, today, the crime-drama mystery Fifteen Wives was released. Directed by Frank Strayer and produced by Maury Cohen, it starred Conway Tearle, Natalie Moorhead, Raymond Hatton, Noel Francis, John Wray, Margaret Dumont, Ralf Harolde, Oscar Apfel, Robert Frazer, Harry Bradley and Lew Kelly.

In a New York hotel, the body of Steven Humbolt is discovered and Chief Inspector Decker Dawes is called to investigate. After a brief inspection of Humbolt’s belongings, Dawes and Sergeant Meed determine that Humbolt had fifteen wives, three of whom…Sybilla Crum, a well-known reformer, wealthy Carol Arnold, and Ruby Cotton…live in New York. Dawes first questions the still devoted Sybilla, then quizzes Jason Getty, a florist who had sent Humbolt a funeral wreath hours before his death was discovered. While Meed checks out Getty’s lead that the wreath was ordered in Philadelphia, Dawes interrogates Carol Arnold. Carol tells Dawes that Humbolt had robbed, and deserted her, after three weeks of marriage and, that, a year later, she had received a letter from South America informing her of his demise. Just after Carol had married wealthy Gregory Arnold, Humbolt contacted her with blackmail demands but, according to Carol, she never saw him before his murder. Although Dawes doubts Carol’s story, he leaves her to talk to a chemist about a broken glass globe that was found near Humbolt’s body.

Fifteen Wives Image Two
Image Credit: imdb.com

The chemist reveals that the globe, a Helmholtz Resonator, contained a lethal dose of hydrocynanic acid gas that was released when the glass was broken. Once Dawes determines that the globe came from Philadelphia, he demonstrates how a radio performer known as The Electric Voice, whose fiancée is Ruby Cotton, could have broken the globe during a broadcast. Dawes arrests The Voice and Ruby but, returns to question Carol, who he discovers is hiding a child she had by Humbolt. Then, Dawes receives a message from Sybilla about a clue she unearthed at Humbolt’s funeral. While at Sybilla’s home, Dawes discovers that florist Getty is impersonating the reformer and that he is wearing a pair of gloves similar to a pair Humbolt was wearing in his coffin. Suspicious, Dawes orders Humbolt’s coffin exhumed, which causes Getty, who needed the gloves to hide his amputated fingers, to panic. [He] confesses that he killed Sybilla and had used The Electric Voice’s broadcast to kill Humbolt out of revenge for stealing his wife in Australia. After thwarting Getty’s escape attempt, Dawes telephones Carol, who is divorcing [Gregory] Arnold and proposes that they leave for Europe together.

[Source]

Disclamer:
The Internet Movie Database (IMDB) and Wikipedia state that this film was released July 15, 1934. The American Film Institute (AFI) and Turner Classic Movies (TCM) state that it was released June 1, 1934. I have no way of verifying either. I also can’t find any video clips. ~Vic

Movie Monday: Being Respectable 1924

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Being Respectable Image One
Lobby Card
Image Credits: wikipedia.org & Warner Brothers

Ninety-five years ago, today, the silent drama Being Respectable was released. Based on the novel of the same name written by Grace Flandrau, it was adapted by Dorothy Farnum. Directed by Phil Rosen, it starred Marie Prevost, Monte Blue, Louise Fazenda, Irene Rich, Theodore von Eltz, Frank Currier, Eulalie Jensen, Lila Leslie, Sidney Bracey and Charles French.

Being Respectable Image Two
Photo Credit: imdb.com

Synopses:

Wealthy young Charles Carpenter is pressured by his family to marry Suzanne, even though he is really in love with young “flapper” Valerie. He gives in to his family’s pressure, however and marries Suzanne, after which Valerie leaves town. Years later, after Charles and Suzanne have had a child, Valerie comes back to town and, Charles realizes he is still in love with her…and she with him. Complications ensue. [Source]

Through the scheming of his respectable, and wealthy family, Charles Carpenter is obliged to marry Suzanne, although he is in love with young flapper Valerie Winship. Years later, when Valerie is back in town, they renew the affair and, Carpenter plans to leave his wife and child for her. […] in the end, he yields to family duty and respectability. [Source]

New York Times Review [August 4, 1924]

I could not find any video clips of this movie. ~Vic

Movie Monday: One-Thing-At-A-Time O’Day 1919

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O'Day Image
Image Credit: wikipedia.org & Metro Pictures Corp.

There weren’t any movies released on today’s date. So, I will use yesterday’s date. One-hundred years, ago, yesterday, One-Thing-At-A-Time O’Day was released. Based on a short story by William Pelley, it was directed by John Ince with the adaptation written by George Baker. A lost, silent comedy film, it starred Bert Lytell, Joseph Kilgour, Eileen Percy, Stanton Heck, William Carroll and Bull Montana.

Synopsis:

A serious-minded boob named Stradivarious O’Day, because his music-loving mother says he “fiddles his time away”, acquires his nickname because of his motto of “one thing at a time and that done well.” Falling in love when he first sees circus bareback rider Prairie-Flower Marie, O’Day, living off his inheritance, follows the circus until the pestered manager gives him a job cleaning his Ford. With the help of a manual, O’Day learns to drive and secures employment with the circus as a chauffeur. After strong man Gorilla Lawson, who also loves Marie, beats him up, O’Day contacts his friend, boxer Roughneck M’Dool, to teach him to fight. Lawson, frightened by O’Day’s daily development, steals the circus receipts, and the Ford, on the day of their scheduled fight but, O’Day overtakes and whips him. After O’Day weds Marie, he unwittingly goes against his motto when he becomes the father of twins.

[Source]