Music
Tune Tuesday: Eddie Fisher 1954
Sixty-five years ago, today, the #1 song on Billboard (pre-hot 100 era) was Oh! My Pa-Pa (O Mein Papa) performed by Eddie Fisher. A lamentation, sung by a young woman grieving the loss of her clown-father, the song was written by Swiss composer Paul Burkhard in 1939 for the musical Der schwarze Hecht (The Black Pike). Reproduced and re-issued in 1950 as Das Feuerwerk (The Firework), the musical was made into a German film, Fireworks, in 1954 starring Lilli Palmer.
Translated, and adapted, into English by John Turner and Geoffrey Parsons, Fisher and Hugo Winterhalter’s orchestra recorded the song in December 1953 at Webster Hall in New York City.
Trumpeter Eddie Calvert had a #1 with an instrumental version of the song in the UK at the very same time Fisher’s version was the #1 in the US.
On March 8, 1967, television audiences were treated to a version of the song by Jim Nabors, in character as Gomer Pyle, in the Season 3 episode (#85) “Sing a Song of Papa”. On October 24, 1991, Krusty the Clown sang the song as O mein Papa on The Simpsons in the Season 3 episode Like Father, Like Clown, a twist on the young woman’s sorrow over her father.
This song has been covered by many other artists, including The Everly Brothers, Connie Francis, Ray Anthony (last surviving member of the Glenn Miller Orchestra), The Bobbettes, Siouxsie and the Banshees and Björk (as “Pabbi minn”).
Calvert’s Version
Nabor’s Version
Krusty’s Version
Tune Tuesday: Evelyn Knight & The Stardusters 1949
Seventy years ago, today, the #1 song on Billboard (pre-hot 100 era) was A Little Bird Told Me by Evelyn Knight, backed up by the Stardusters. Written by Harvey Oliver Brooks, the song was recorded by five different artists with Knight’s version being the only number one. Harvey Brooks was the first black American to write a major motion picture’s complete score: I’m No Angel, starring Mae West.
The Stardusters with Mary McKim
In 1950, this particular song was the subject of a landmark court case between Supreme Records in Los Angeles and Decca Records in London, England. Supreme Records founder Albert Patrick sued Decca over copyright infringement as his company had recorded and released the song with singer Paula Watson before Decca’s version was released with Knight & The Stardusters. Patrick was furious and filed for $400,000 claiming plagiarism of the arrangement.
The court ruled in favor of the defense stating that musical arrangements were not copyrightable, as style could not be protested under the law. The case opened the door for cover versions. Supreme went bankrupt shortly afterwards and Paula Watson went to work for Decca.
Tune Tuesday: Casa Loma Orchestra 1944
Seventy-five years ago, today, the #1 song on Billboard (pre-hot 100 era) was My Heart Tells Me (Should I Believe My Heart?) by Glen Gray, his Casa Loma Orchestra and singer Eugenie Baird. Written by Harry Warren (Lullaby of Broadway, Jeepers Creepers & That’s Amore) with lyrics by Mack Gordon (Chattanooga Choo-Choo), this was the theme for the 1943 musical film Sweet Rosie O’Grady. Betty Grable sang the song in the movie.
Glen Gray & his Orchestral version was number one for five weeks from January 29 to February 26, boosted by the popularity of the musical. As a popular standard for the 1940s, other well-known artists with their own versions include Etta Jones (1961), Frank Sinatra (1945), Nat King Cole (1958) and Tony Bennett (1955). Glenn Miller & his orchestra had a go in 1944, broadcasting to German soldiers. From Dance in the City (Page 191):
“One of the paradoxes of the Nazi terror was that SS officers themselves demonstrated a fondness for swing (Vogel, 1962).
Mike Zwerin (1985), in his exploration of jazz under the Nazis, described a Luftwaffe pilot who switched on the BBC hoping to catch a few bars of Glenn Miller before bombing the antenna from which these forbidden sounds were being broadcast. Allied propagandists recognised the potential for exploiting the contradictory allure that jazz possessed with Nazi society.
The sound barrier of 1944 was marked on the one hand by the music of the Nazi marches and on the other by the big band swing of Glenn Miller. The Allies attempted to exploit the popularity of swing inside Germany. On October 30, 1944, Miller’s swing tunes were aimed at German soldiers through the American Broadcast Station in Europe (ABSIE) in an effort to persuade them to lay down their arms.
Major Miller addressed German soldiers in their own language with the assistance of Ilse Weinberger, a German compere and translator. Ilse introduced Glenn Miller as the ‘magician of swing’ and, through a strange act of cultural alchemy, tunes like Long Ago and Far Away and My Heart Tells Me were rendered in German by vocalist Johnny Desmond.”
Tune Tuesday: Eddie Cantor 1929
Ninety years ago, today, the #1 song playing was Makin’ Whoopee, a jazzy-blues piece performed by Eddie Cantor from the Broadway musical comedy Whoopee! The musical was written by William Anthony McGuire, composed by Walter Donaldson (Carolina In The Morning & My Mammy), with lyrics by Gus Kahn (It Had To Be You & Dream A Little Dream Of Me). It was based on the 1923 play The Nervous Wreck by Owen Davis.
American Theatre critic Brooks Atkinson of The New York Times praised Cantor for:
“…a comedian of deftness and appealing humor. He is sad. He is preoccupied. He is apprehensive or insinuating with those floating eyes… In the past he has been funny, clever and ludicrous. But, he has never been so enjoyable.”
Of the music, he states:
“Walter Donaldson has composed an appropriate score worthy of better singing than it falls heir to.”
Apparently, Mr. Atkinson disliked Cantor’s singing ability.
The musical was made into a movie in 1930, also pre-code and Eddie Cantor reprised his role from the musical. There was also a 1979 Broadway revival that did very well.
Synopsis From Wikipedia:
In California, Sheriff Bob Wells and the daughter of a rancher, Sally Morgan, are getting married. She is in love with Wanenis, whose part-Indian heritage presents social difficulties for their romance. Sally abandons Sheriff Bob and their wedding, catching a ride with Henry Williams. As a hypochondriac, Henry has problems of his own but, Sally adds to his problems when she leaves a note saying they have eloped. A chase ensues with the jilted Bob, Mary, Henry’s nurse (who is in love with him) and a cast of others. Along the way, they arrive at the Indian Reservation where Wanenis lives. The movie star Leslie Daw enters the proceedings and sings the torchy, sentimental “Love Me, or Leave Me.”
Trivia Bits:
♦ Eddie Cantor invented the name The March of Dimes for the donation campaigns of the National Foundation for Infantile Paralysis (polio), a play on the “March of Time” newsreels. He began the first campaign on his own radio show in January 1938, asking people to mail a dime to the nation’s most famous polio victim, President Franklin D. Roosevelt. Other entertainers joined in the appeal via their own shows and the White House mail room was deluged with 2,680,000 dimes.
♦ At one time, when the rights to The Wizard of Oz (1939) were owned by Samuel Goldwyn, Cantor was considered for the role of the Scarecrow. Goldwyn eventually sold the rights to Metro-Goldwyn-Mayer.
♦ Quote: “Marriage is an attempt to solve problems together which you didn’t have when you were on your own.”
Tune Tuesday: The Charleston 1924
Ninety-five years ago, today, (as best as I can tell) the #1 song playing was The Charleston. Composed by James P. Johnson with lyrics by Cecil Mack, it was originally featured in the Broadway musical Runnin’ Wild that premiered in New York on October 29, 1923. It was first recorded by Arthur Gibbs & His Gang and was released November 23, 1923.
This is some fancy foot work.
30-Day Song Challenge: Day 29 & Day 30
A song you remember from your childhood…
As the challenge comes to a close, this is the final post. ~Vic
I’ve covered everything in the 70s back to 1972, specific to my childhood. Rolling back a little bit more, I remember liking these though I was very young.
1970
No Sugar Tonight
1968
I just barely remember this playing. I was so little but, it is burned into my young memory.
Love Is Blue
*************
Past that, everything I know of music was learned later in life. The above are my earliest true music memories of what I liked, even as a child.
A song that reminds you of yourself…
I’ve never really found a song that reminded me of myself but, there are four songs I really identify with in terms of wandering thru life and the subsequent lessons.
The opening line to the movie:
“On a Saturday (March 24, 1984), five high school students report for all-day detention.”
This is my generation, though I was never in detention. I graduated in June 1984. Ditto Footloose.
Don’t You Forget About Me
Also released during my senior year…
Adult Education
Going Down To Liverpool
What I have turned into (tongue in cheek)…minus the nail-biting. *wink*
S.O.B.
30-Day Song Challenge: Day 28
A song by an artist whose voice you love…
I covered Darius Rucker, Linda Ronstadt and Susanne Sundfor, yesterday. I’ve posted Paul Durham, Maria McKee, Emily Hackett, Pat Benatar, Sarah McLachlan, Enya, Amy Lee, Miranda Lambert, Carrie Underwood, Anna Nalick, Sia, Patty Smyth, Loreena McKennitt, Kenny Loggins, Kelly Holland, Elvis and George Harrison.
Here are five more…
There are SO many Olivia songs…way too many to choose from. This song, in particular, showcases her range well. She was my hero as a teen…beautiful voice, gorgeous face, stunning hair and perfect teeth. We may not have her much longer. She is my mother’s age.
I was given a CD of her music by a friend. She is my age and such a powerhouse. She did a CMT Crossroads episode with Pat Benatar and she was an even match in range.
And, of course…Adele…
I like her squeaky voice.
This one is so cute.
30-Day Song Challenge: Day 27
A song that breaks your heart…
“Living in the memory of a love that never was…”
“I wish you never even loved me…
It makes it so hard to live without love, now…
I had a handle on my sorrow…
My composure was in order…
If not sufficiently intact…
But, every reminiscent echo brings a blow…
To chill my senses and my heart quakes…
And tenses ’till those moments pass…
Every trace, every vision…
Brings my emotions to collision…
Past love’s lost tokens…
Every cherished thought once spoken…
False hope of reconciliation…”
Darius Rucker could sing the phone book to me.
“Don’t fall away…
And leave me to myself…
Don’t fall away…
And leave love bleeding in my hands…
“Since, I was young, I knew I’d find you…
But our love, was a song, sung by a dying swan…
And in the night, you hear me calling…
You hear me calling…
And when the nights are long…
All those stars recall, your goodbye, your goodbye…
Breathe in the light and say goodbye…”
30-Day Song Challenge: Day 26
A song that makes you want to fall in love…
So many love songs. So little time.
“You’d think that people would have had enough of silly love songs…
I look around me and I see it isn’t so…
Some people want to fill the world with silly love songs…
And what’s wrong with that…
It isn’t silly, love isn’t silly, love isn’t silly at all…”
Gives me chills…every time. For a song that was created to be the theme to a prison film, it has to be one of the greatest love songs ever written.
Originally released in 1967, this was re-released in 1972 and it made it to #2 on the Billboard 100. I am posting the full orchestral version with the ‘late lament’ in tact (including gong) considering we are officially in winter. This is a masterpiece. More chills…
I was very fortunate to get to see these two, live, with my mom at Carowinds in 1976. I was ten when the song came out and I remember it playing on the radio, vividly. Even at that young of an age, the words of love and longing struck a chord with me (pun intended) that remains to this day.
Oh, Pat Benatar…her music is a large part of my teen years. Her first album was released three days before my 13th birthday. What a way to grow up. She and her hubby, Neil, have rocked us all.
30-Day Song Challenge: Day 25
A song you like by an artist no longer living…
I’ve already posted some Prince videos and I will have to work hard to keep this post trimmed down.
Can’t do a post like this without The King of Rock and Roll…Elvis. I grew up with this music.
Then, we can’t do a post with The King of Pop…Michael. His Off The Wall album was the third album I ever owned, behind Surf & Drag and Grease.
Next up, The Queen of Disco…Donna. Her music covered my life from 10 years old to 18.
The Beatles were never played in my house. Their music was just not part of my childhood. I discovered who they were after they split up and I liked a lot of solo stuff that came out. My favorite was George. I liked his scratchy, squeaky voice. Paul came in second.
This one covers two that have left us…Freddie and Bowie. This song spoke to me at 15 and still does to this day (and I was extraordinarily annoyed when Vanilla Ice ripped it off).
This came out after I started college. Teena was the Ivory Queen of Soul.
Ok. I’m stopping at seven (I could be here all night). I grew up with this music, as well and still remember all the words. I previously posted my favorite of his songs related to the Gold Rush of 1896. So, I will post my second favorite. I give you Johnny Horton.
30-Day Song Challenge: Day 24
A song by a band you still wish were together…
Oh, the music we have lost.
Far Too Jones (1995-2000)
This was another band out of Raleigh, nicknamed the Tobacco Road Quintet. They also had one album produced by Mammoth Records and got a lot of local airplay. The only reason this band broke up, as best as I can tell, is because they had no label support. They just couldn’t break out of the region, much like what happened to Echo 7 in Myrtle Beach (whom, I know, personally…I may have to put up some of their music one day).
30-Day Song Challenge: Day 23
A song you think everybody should listen to…
I have to keep in mind, for this category, that people have their own tastes in music. One man’s dream is another man’s nightmare. I’m posting these not only because I like them but, because they are fairly unknown. And, I happen to like it very much when someone else introduces me to music I’ve never heard, before. So, I hope that anyone listening to these might enjoy them.
I don’t recall ever hearing this on the radio though, Billboard charted it as high as #29 on the Hot 100.
Vox Humana
I picked this up from a college radio station associated with the University of Texas back in 2010. It never got any regular airplay anywhere else. Billboard has no chart record of it. And, it is the only song I have ever encountered that, the live version(s) (and there are many on YouTube) is better than the studio version. I’m also fascinated with her bassist playing the drums at the same time.
In Sleep
I heard this song playing over the speaker system in a grocery store in Boone three years ago. I can’t find where it ever charted on Billboard.
Two Way Radio
30-Day Song Challenge: Day 22
A song that moves you forward…
I just recently discovered Sia. She is amazing.
And, one more…
30-Day Song Challenge: Day 21
A song you like with a person’s name in the title…
I’m with fellow blogger, Britchy, on this one. She lists several that I like plus, I add Alyson, Amie, Barbara Ann, Eleanor Rigby, Rhonda, Carrie Ann, Maggie May, Lucy, Sharona, Beth, Sara, Sarah, Shannon, Angie, Layla, Mandy, Rhiannon, Lola, Ruby, Lucille…the list is endless and most of them women.
These are my three favorites since I seem to post in threes, mostly and, one is a guy’s name.
This one is my middle name…
Lead singer and drummer Fred LeBlanc is a trip.
The original video is pretty raunchy, so I will go with this one.
30-Day Song Challenge: Day 20
A song that has many meanings for you…
“So little time to make you see…
What can’t be undone…
Was maybe never meant to be…”
“And when we’re done…
Soul searching…
And we carried the weight…
And died for a cause…
Is misery made beautiful…
Right before our eyes…
Mercy be revealed…
Or blind us where we stand…”
“wasting time…
lost my mind…
where’s the sign…
look for higher…”
“tell the sun, warn the moon…
the night and noon…
we’ve been waitin’…”
Cosmic-Observation 