billboard

Music Monday: Skyy 1989

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Skyy Image
Image Credit: youtube.com

Thirty years ago, today, Real Love by the R&B band Skyy debuted on the Billboard Hot R&B/Hip-Hop chart (called Hot Black Singles back in 1989), entering at #80. The third release from the album Start of a Romance, it spent 16 weeks on the chart, reaching #1 for one week and, also peaked at #47 on the Billboard Hot 100 chart.


 
Lyrics (via LyricFind):
I said I would get over you
Now I’m here out on my own
Trying to live my life
And now you wanna come back
But I don’t need no brand new lies, listen up

I want a love that’s serious
No time to play love games
I don’t wanna be nobody’s fool
So if you wanna be with me
You gotta give it up

Real love
I know I wanna have one
Real love
Gonna try and get some

Real love
Everybody needs one
Real love
Got to have real love

All my friends are telling me
I should give you another try
But I don’t need opinions
To deal with what I have on my mind, listen up

I want a love that’s serious
No time to play love games
I don’t wanna be nobody’s fool
So if you wanna be with me
You gotta give it up

Real love
I know I wanna have one
Real love
Gonna try and get some

Real love
Everybody needs one
Real love
Got to have real love

Real love

Oh, oh, ah
Oh, oh, ah
Oh, oh, ah (Oh, yeah)
Oh, oh, ah

Oh, oh, ah
Oh, oh, ah
Oh, oh, ah (Give it up)
Oh, oh, ah

Real love
I know I wanna have one
Real love
Gonna try and get some

Real love
Everybody needs one
Real love
Got to have real love

Real love
I know I wanna have one
Real love
Gonna try and get some

Real love
Everybody needs one
Real love
Got to have real love

Real love

Ow, ow, ow

Real love
I know I wanna have one
Real love
Gonna try and get some

Real love
Everybody needs one
Real love
Got to have real love

Real love
Real love (Huh…uh…uh…)
Real love (I don’t need opinions)
(Don’t need your advice)

(Real love)
(Got to give real love)
Real love

Music Monday: Gloria Estefan 1989

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Gloria Estefan Image One
Photo Credit: 45cat.com

Thirty years ago, today, Get On Your Feet by Cuban-American singer/songwriter/actress/businesswoman Gloria Estefan debuted on the Billboard Adult Contemporary chart, entering at #29. Released from the album Cuts Both Ways, it was written by John DeFaria, Jorge Casas and Clay Ostwald. It peaked at number five after seventeen weeks on the chart.

From Songfacts:

DeFaria is a guitarist/composer who has worked on a number of movies and TV shows. Casas and Ostwald are longtime collaborators with Gloria and Emilio Estefan and members of the late ’80s iteration of Miami Sound Machine (Casas the bass player, Ostwald on keyboards).

Estefan had several bigger hits but, Get On Your Feet became her signature song and the name of her 1989 tour, her first as a solo artist. That tour was cut short in March 1990 when she was badly injured in a tour bus accident. Estefan fractured vertebrae in her spine and had two metal rods placed in her back during surgery. During her recovery, this song took on new meaning, as it was a long struggle for Estefan to literally get back on her feet.

Trivia Bits
♦ The song was covered by Fantasia Barrino on the third season of American Idol during a Gloria Estefan-themed episode.
♦ The song was on the soundtrack to the movie Let It Be Me, starring Campbell Scott and Jennifer Beals (1995).
♦ The song was used in the fourth season episode of Parks and Recreation: The Comeback Kid.
♦ Gloria performed this song with Sheila E. during the seventh season edition of the American Idol charity fundraiser Idol Gives Back.

The Broadway Musical
Interview With John DeFaria


 
Lyrics (via LyricFind):
You say I know it’s a waste of time
There’s no use trying
So scared that life’s gonna pass you by
Your spirit dying
Not long ago
I could feel your strength and your devotion
What was so clear, is now overcast
With mixed emotions
Deep in your heart is the answer
Find it, I know it will pull you through

Get on your feet
Get up and make it happen
Get on your feet
Stand up and take some action

I think it’s true that we’ve all been through
Some nasty weather
Let’s understand that we’re here
To handle things together
You gotta keep looking onto tomorrow
There’s so much in life
That’s meant for you

Get on your feet
Get up and make it happen
Get on your feet
Stand up and take some action
Get on your feet
Don’t stop before it’s over
Get on your feet
The weight is off your shoulder

Get up and make it happen
Stand up, stand up, stand up and take some action
Gotta get on your feet, yeah, yeah
Don’t stop before it’s over
Get on your feet
The weight is off your shoulder
Get on your feet
Get up, get up, get up and make it happen
Get on your feet
Stand up, stand up and take some action
Get on your feet
Get up, stand up
Don’t stop before it’s over
You got to get on your feet yeah yeah
The weight is off your shoulder

Music Monday: Bob Dylan 1989

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Bob Dylan Image One
Photo Credit: alldylan.com

Now that I have access to some old Billboard magazines, thirty years ago, today, Everything Is Broken, by American singer/songwriter, author and visual artist Bob Dylan, debuted on the Billboard Mainstream Rock chart (called Album Rock Tracks back in 1989), entering at #23. Released from the album Oh Mercy, his 26th studio album, the song is a reflection of Dylan’s detachment from his world. It peaked at number eight after eight weeks on the chart.

From Wikipedia:

The track found on Oh Mercy is an April 1989 re-working of a take recorded the previous month. Originally recorded as “Broken Days” in March 1989, Dylan had re-written the song entirely by April, giving it its current name.

In an interview with Nigel Williamson (the author of The Rough Guide to Bob Dylan) and Oh Mercy’s producer, Daniel Lanois, he described how Dylan would rework his songs over and over again:

“I sat next to him for two months while he wrote [Oh Mercy] and it was extraordinary. Bob overwrites. He keeps chipping away at his verses. He has a place for all his favorite couplets and those couplets can be interchangeable. I’ve seen the same lyrics show up in two or three different songs as he cuts and pastes them around, so, it’s not quite as sacred ground as you might think.”

Bob Dylan Image Two
Image Credit: wikipedia.org & wikimedia.org

From All Dylan:

“Most of them [the songs on “Oh Mercy”] are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.”
~Bob Dylan (to Edna Gundersen, September 21, 1989)

“While it would be unfair to compare ‘Oh Mercy’ to Dylan’s Sixties recordings, it sits well alongside his impressive body of work.”
~Clinton Heylin (Behind The Shades)

[While] promoting The Traveling Wilburys in the fall of 1988, George Harrison discussed some of Dylan’s upcoming work. Harrison [was] enthused about Dylan’s new songs…informing a skeptical world that the experience of recording the Wilburys had given him the urge to write again.

[Bono], lead singer of U2, paid Dylan a visit at his home. When he asked Dylan if he had written any new songs, Dylan showed him the ones stored in his drawer. Bono urged him to record the songs but, Dylan was reluctant.

Notable Cover Versions:
Kenny Wayne Shepherd
Sheryl Crow


 
Lyrics [via LyricFind]
Broken lines, broken strings
Broken threads, broken springs
Broken idols, broken heads
People sleeping in broken beds
Ain’t no use jiving
Ain’t no use joking
Everything is broken

Broken bottles, broken plates
Broken switches, broken gates
Broken dishes, broken parts
Streets are filled with broken hearts
Broken words never meant to be spoken
Everything is broken

Bridge: Seem like every time you stop and turn around
Something else just hit the ground

Broken cutters, broken saws
Broken buckles, broken laws
Broken bodies, broken bones
Broken voices on broken phones
Take a deep breath, feel like you’re chokin’
Everything is broken

Every time you leave and go off someplace
Things fall to pieces in my face

Broken hands on broken ploughs
Broken treaties, broken vows
Broken pipes, broken tools
People bending broken rules
Hound dog howling, bull frog croaking
Everything is broken

Music Monday: Billboard Rant

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Well, well, well…silly me. I was planning to do a post on a fresh Billboard chart entry for the week of September 23, 1989. After having done a Hot 100 entry and an Alternative Rock entry, I was looking at Adult Contemporary, Hot R&B, Hot Country and Mainstream Rock. Ladies…Gentlemen…if you so desire to look at Billboard’s history charts other than the Hot 100 chart, YOU ARE SHIT OUT OF LUCK. You can’t look at ANY of their charts, even the new ones, except the Hot 100…UNLESS YOU PAY THEM. This has happened, just in the last week.

I’m not paying these assholes $12/$13 a month just to LOOK at their damn charts. I was attempting to showcase ALL music pieces instead of just the number ones or stuff on the Hot 100, only. Not every song debuts on the Hot 100. Most country music goes straight to the country chart. Most rock, what new rock there is left to listen to on the radio, goes to rock charts. Now, I have no way of knowing what debuted when…or where. If anyone out there knows where I can get this information, let me know. FUCK THEM.

This situation tells me that Billboard magazine is in trouble and hemorrhaging money.

Billboard Screen Capture
Screen Capture from the site.

Tune Tuesday: Miss You Much 1989

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Janet Jackson Image One
Image Credit: timeout.com

Thirty years ago, Miss You Much by Janet Jackson debuted on the Billboard Hot 100 chart the week of September 2, entering at position 42 (changing to chart entries and releases instead of number ones to cover more pieces of music). Released August 22 as the lead single from the album Janet Jackson’s Rhythm Nation 1814, it reached number one the week of October 7 and stayed there for four weeks. It also reached number one on the Dance Club chart the same week, staying for two weeks. It hit number one on the Hot R&B chart the week of October 14, staying two weeks and was number one in South Africa.

Janet Jackson GIF Two
GIF Credit: giphy.com

Billboard went on to declare that the song was Janet’s biggest Hot 100 single. The song was written and produced by writing team “Jimmy Jam” Harris and Terry Lewis.

Grammy Award & Nominations (32nd Annual 1989)
American Music Awards
Billboard Awards
Soul Train Awards
Brit Awards Nomination

Lyrics

Tune Tuesday: Let’s Hear It For The Boy 1984

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Rolling Stone Image One
Photo Credit: Rolling Stone

Thirty-five years ago, today, the #1 song on the Billboard Hot 100 and Hot R & B charts (plus Cash Box) was Let’s Hear It For The Boy by Deniece Williams from the soundtrack of the movie Footloose. This was Williams second number one hit on the Billboard 100.

Composed by Tom Snow and Dean Pitchford, country singer Jana Kramer performed the song for the 2011 Footloose remake.

Deniece Williams Image Two
Image Credit: classic45s.com

From Songfacts [no citations]:

This was the second single from the Footloose soundtrack, following the “title track,” which was recorded by Kenny Loggins. In the film, the song was used in a scene where Kevin Bacon tries to teach Christopher Penn how to dance and Penn is having a hard time.

Once the song was written, Pitchford asked Deniece Williams and her producer George Duke to record the song. Kenny Loggins was onboard for the title track, which gave the project credibility and, Williams loved the song and the story idea for the film. She grew up in a small Indiana town with a religious environment similar to the one described in Footloose. When she saw the film, she thought the scene where they used her song was incredible. “If I had come to the film without the music in and they asked me what segment I wanted my song to be in, I would have chosen that segment.” said Williams.

Best Original Song Academy Award Nomination
Best Pop Vocal Performance (Single) Grammy Nomination
Best R & B Vocal Performance (Album) Grammy Nomination

Lyrics

Tune Tuesday: Reunited 1979

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Peaches & Herb Image One
Photo Credit: mm-group.org

Forty years ago, today, the #1 song on the Billboard Hot R&B chart (and the Hot 100 chart, simultaneously, plus Cash Box) was Reunited by Peaches & Herb (Herb Fame & Linda “Peaches #3” Greene). The song was co-written by Dino Fekaris and Freddie Perren, whom also co-wrote Shake Your Groove Thing, a previous Peaches & Herb song and, I Will Survive, the Gloria Gaynor hit. This was a sequel piece to the duo’s (Herb Fame & Francine “Peaches” Hurd Barker) previous song (We’ll Be) United released in 1968, a cover of The Intruders hit from 1966.

The song sold over two million copies, was the Billboard #5 song for 1979 and the RPM (Canadian) #9 song for 1979 (Wayback Machine). Artists Louise Mandrell (with husband R. C. Bannon), Faith No More and Lulu (with Cliff Richard) have done cover versions. [This link reflects David Hasselhoff and Raven-Symone as cover artists but, I can’t verify. ~Vic]

Nominated for:
American Music Award: Favorite Soul/R&B Song
Grammy: Best R&B Vocal Performance By A Duo, Group Or Chorus

Lyrics

Tune Tuesday: Evelyn Knight & The Stardusters 1949

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Evelyn Knight Image
Image Credit: tias.com

Seventy years ago, today, the #1 song on Billboard (pre-hot 100 era) was A Little Bird Told Me by Evelyn Knight, backed up by the Stardusters. Written by Harvey Oliver Brooks, the song was recorded by five different artists with Knight’s version being the only number one. Harvey Brooks was the first black American to write a major motion picture’s complete score: I’m No Angel, starring Mae West.

The Stardusters Image
Image Credit: pinterest.com
The Stardusters with Mary McKim

In 1950, this particular song was the subject of a landmark court case between Supreme Records in Los Angeles and Decca Records in London, England. Supreme Records founder Albert Patrick sued Decca over copyright infringement as his company had recorded and released the song with singer Paula Watson before Decca’s version was released with Knight & The Stardusters. Patrick was furious and filed for $400,000 claiming plagiarism of the arrangement.

The court ruled in favor of the defense stating that musical arrangements were not copyrightable, as style could not be protested under the law. The case opened the door for cover versions. Supreme went bankrupt shortly afterwards and Paula Watson went to work for Decca.

Tune Tuesday: Doo Wop That Thing 1998

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Lauryn Hill Image
Photo Credit: Billboard

Twenty years ago, today, the #1 Billboard Hot 100 and Billboard Hot Rap song was Doo Wop (That Thing) by Lauryn Hill. It debuted at #1, the tenth song in the chart’s history to do so and, the first début single to do so.

Awards
1999 Grammy Awards: Album of the Year, Best R&B Album, Best New Artist, Best Female R&B Vocal Performance & Best R&B Song
1999 American Music Awards: Favorite Soul/R&B New Artist
1999 MTV Video Music Awards (VMA): Video of the Year, Best Female Video, Best R&B Video & Best Art Direction in a Video (Gideon Ponte)
1999 Soul Train Awards: Sammy Davis Jr. Award for Entertainer of the Year (Female), R&B/Soul or Rap Album of the Year, Best Female R&B/Soul Album & The Michael Jackson Award for Best R&B/Soul or Rap Music Video

Nominations
1999 MTV Video Music Awards: Best Hip-Hop Video
1999 Soul Train Awards: Best Female R&B/Soul Single

Tune Tuesday: The Wild Wild West 1988

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The Escape Club Image
Photo Credit: englandunderground.com

Thirty years ago, today, the #1 Billboard Hot 100 song was The Wild, Wild West by The Escape Club, an English pop-rock band out of London (Est. 1983). Curiously, the album and the single didn’t chart in the UK, their home turf.

Nominations:
Breakthrough Video (1989 MTV Video Music (VMA) Awards)
Best Post-Modern Video (1989 MTV VMA)
Best Special Effects In A Video (Nicholas Brandt & Bridget Blake-Wilson/1989 MTV VMA)

Tune Tuesday: Hey Jude 1968

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The Beatles Image
Photo Credit: beatles22.weebly.com

Fifty years ago, today, the #1 Billboard Hot 100 song was Hey Jude. Written by Paul McCartney but, credited to Lennon-McCartney, Paul was on the way to see John’s soon-to-be ex-wife Cynthia and their son Julian. Starting out with “Hey Jules”, it evolved to “Hey Jude” as Paul attempted to try and help Julian through his parents’ separation.

Tune Tuesday: Vaya Con Dios 1953

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We are traveling way, way back, today. The #1 song sixty-five years ago is a piece from the duo Les Paul and Mary Ford…Vaya Con Dios.

In 1953, my mother was six years old and my father was eight….just for some perspective. ~Vic

Tune Tuesday: Whatever You Like 2008

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Whatever You Like Image
Photo Credit: hollywoodreporter.com

It’s Tune Tuesday! Ten years ago, today, the #1 Billboard Hot 100 song was Whatever You Like. I hadn’t heard this song until five minutes ago. By the time 2008 rolled around, I wasn’t listening to Top 40 stations, anymore. I was listening to BobFM or SimonFM or what everyone today refers to as ‘variety hits’. Yes, I am showing my age. ~Vic

Tune Tuesday: Shake Ya Tailfeather 2003

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Nelly P.Diddy Murphy Lee Image
Photo Credit: amazon.com

It’s Tune Tuesday! Fifteen years ago, today the #1 Billboard Hot 100 song was Shake Ya Tailfeather from the movie Bad Boys II.

This is another song that, I confess, I’ve never heard before. And, I’ve never seen Bad Boys II, either. In 2003, I had recently moved to Texas and I was busy learning a new job. I didn’t see many movies that year and, apparently, I stopped listening to mainstream radio. ~Vic

Tune Tuesday: I Can’t Help Falling In Love 1993

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UB40 BBC Image
Photo Credit: bbc.co.uk

It’s Tune Tuesday! Twenty-five years ago, today, the number one song was I Can’t Help Falling In Love, a Reggae version of Elvis’ hit from the 1961 soundtrack and movie of the same name, Blue Hawaii. Both of these versions topped the U.S. & U.K. charts.

I am also posting the clip from the movie. Elvis’ original didn’t make it to number one on the Billboard Hot 100 (which is usually where I get my number one songs from) in the U.S., getting stuck at number two behind Peppermint Twist but, it did make it to number one in the U.K. & Australia in early 1962. It was a number one hit on the Billboard Adult Contemporary Chart in January 1962:

Plus, I have to confess that, while I like Reggae, I am an Elvis fan and I prefer the original (no offense, guys!).

~Vic