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Song Sunday: Natural One

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Folk Implosion YT Image One
Image Credit: YouTube

“Your world is falling down, you may as well crash with me…”

Returning to my Samsung playlist for this Sunday evening submission, I present Natural One by The Folk Implosion. Written by Lou Barlow and bassist Wally Gagel of Orbit, it was the seventh song on the soundtrack album from the 1995 movie Kids, though it wasn’t actually played in the film. It entered the Billboard Hot 100 at #54 on December 9, 1995 and peaked at #29 on February 3, 1996. It peaked at #4 on the Modern Rock Tracks chart on December 16, 1995 and peaked at #21 on the Mainstream Rock Tracks chart on February 17, 1996. I hope you enjoy. ~Vic

How Lou Barlow Soundtracked 1995 (Vice/Cam Lindsey/03-21-2017)
Instagram Account
Bandcamp Account

Lyrics

Hans 2021 Song Draft: Round Nine-Pick Eight-In Sleep-Lissie (2010)

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Lissie Fan Art TV Image One
Image Credit: fanart.tv

Hanspostcard has a song draft challenge. This is my Round Nine pick.

This, and my last pick, will feature two women that are a little less known in the music world. I skipped right over the 2000s (only so many choices) and hopped into the next decade. I happened to catch this song while listening to the University of Texas @ Austin’s radio station (a station involved with SXSW). I was hooked and I went looking for it…and her. Elisabeth Corrin Maurus or Lissie is a singer-songwriter out of Rock Island, Illinois.

“I always sang, since I was little and wrote poems in high school. I sort of taught myself to play guitar lines to the poems and stuff. In high school, it seems like everyone has more drama than any other time in their life, [so] that was the time in my life where I really leaned on music as a way to stay sane…”

Interview With Lissie
Scott the Intern
Pop Culture Madness [Web Archive]
February 11, 2008

In her senior year, she was kicked out of high school (she spit in a teacher’s face) and had to get a GED, elsewhere. Then, she hit the road, troubadour-style. She attended Colorado State in Fort Collins and liked to open for other traveling acts. After a short time in Paris, she moved to Los Angeles, met Betsy Hammer and scored an introduction to Brooks Arthur. Hammer & Arthur took her to talent manager Guy Oseary and he got her to producer Glen Ballard. She can be heard singing in the movie Have Dreams, Will Travel (Dream It Out Loud) and performed at the wedding of Demi Moore & Ashton Kutcher in 2005 (Oseary’s referral). In January 2008, she opened for Lenny Kravitz (via a hook-up on MySpace).

Lissie Zimbio Image Two
Photo Credit: Zimbio

The third track from the album Catching A Tiger, In Sleep was released in April of 2010 and the only chart it showed up on was the UK iTunes Single of the Week. The album did manage to make it to #5 on the Billboard Folk Albums & Top Heatseekers charts and, #34 on the Independent Albums chart. The album’s first release was in the UK and hit the US two months later.

“Not to be mistaken for Lissy Trullie, […] Lissie Maurus deals in sun-kissed pop-blues straight from Laurel Canyon.

Her 12-track debut conjures images of highways and horses, with Lissie’s smoky tones echoing Fleetwood Mac’s Stevie Nicks.”

CDs of the Week: Eminem and Lissie
Rick Pearson
London Evening Standard
[Web Archive]
June 18, 2010

Give her a listen. I think she is fantastic and her two band members are outstanding, as well. They are all over YouTube and, in live recordings, her bassist is sitting down, keeping the drum/cymbal beat. Talk about multitasking. I’ve included the studio version of this that has more drum work on it and a possible synthesizer. I’m also including her version of Go Your Own Way. which actually charted in the UK in 2012. The studio version sounds like it has a cello in it and is part of the soundtrack from the movie Safe Haven. She has been very busy.

Happy Halloween, Y’all! ~Vic

Additional:
Interview: Lissie (Stereofox/06-12-2013)
Lissie (CTN Music Interview/12-22-2008/Web Archive)
Lissie and Her Connections (The Uncarved Blog/Ken Chawkin/05-11-2019)
Lissie Catching A Tiger Review (BBC Review/Mike Diver/2010)
Local Q&A: Lissie (Chicago Tribune Metromix/Matt Pais/11-09-2009/Web Archive)
Rock Island Native Lissie Hits Billboard’s Charts (Quad-City Times/David Burke/05-09-2008/Web Archive)

Official Website

Live Recording On ARD

Studio Version

From Discovery of Witches

Hans 2021 Song Draft: Round Eight-Pick Nine-Witness-Sarah McLachlan (1997)

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Modern Vinyl Image One
Image Credit: Modern Vinyl

Hanspostcard has a song draft challenge. This is my Round Eight pick.

I remember when I heard Possession on the radio the first time. I was driving home from work and I was immediately in love. The music was stunning, her voice was stunning and I was captivated. Who is she, I thought to myself (I had no idea that Sarah McLachlan had two previous albums). I found the Fumbling Towards Ecstasy CD as fast as I could. It is a fantastic album. There is not a bad song on it.

When Surfacing came out in July 1997, I snatched it, too. It was released to coincide with the Lilith Fair. Though Fumbling Towards Ecstasy remains my favorite of her albums, Witness is my favorite single. The sixth track, it was never released as a single, has no chart information what-so-ever and it remains in the shadow of Building A Mystery, Sweet Surrender, Adia and, in particular, Angel. The album is one of two that reached #2 on the Billboard 200. It was the #1 album on Billboard’s Canadian Albums chart on August 2, 1997 and on Canada’s RPM Top Albums/CDs chart on July 28, 1997.

As an odd bit of trivia, this album is mentioned in the Starr Report, Ken Starr‘s investigation of the Monica Lewinsky Scandal, as was Altoid Mints, the movie Titanic, Billie Holliday, Elvis, Spinach Dip, Starbucks and Leaves of Grass. Monica apparently liked track #5.

This song speaks to me on so many levels. It’s a beautiful piece with beautiful lyrics… ~Vic

Sarah Recording YouTube Image Two
Image Credit: YouTube

Make me a witness
Take me out
Out of darkness
Out of doubt

I won’t weigh you down
With good intention
Won’t make fire out of clay
Or other inventions

Will we burn in heaven
Like we do down here
Will the change come
While we’re waiting

Everyone is waiting

And, when we’re done
Soul searching
As we carried the weight
And died for the cause
Is misery made beautiful
Right before our eyes
Will mercy be revealed
Or blind us where we stand

Additional:
Lilith Fair @ 20 (Billboard Article/Gil Kaufman/07-05-2017)
Official Instagram
Official Website
Sarah McLachlan Named In Starr Report (MTV News/09-16-1998)
Starr Report Unearths New Bedfellows (The Hartford Courant/Rock Critic Roger Catlin/09-17-1998)
The Pop Life: Musical Damage In Starr Report (The New York Times/Neil Strauss/09-24-1998/Web Archive)

No Official Video

Live From Mirrorball

Sarah Discussing The Surfacing CD

Wayback Wednesday: World Series 1903

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1903 World Series Wikipedia Image
Image Credit: Wikipedia/Wikimedia

The 1903 World Series was the first modern World Series to be played in Major League Baseball. It matched the American League champion Boston [Americans] against the National League champion [Pittsburg Pirates] (spelled without an “H” from 1891 to 1911) in a best-of-nine series, with Boston prevailing five games to three, winning the last four. The first three games were played in Boston, the next four in Allegheny (home of the Pirates), and the eighth (last) game in Boston.

Pittsburgh pitcher Sam Leever injured his shoulder while trap-shooting, so his teammate Deacon Phillippe pitched five complete games. Phillippe won three of his games but, it was not enough to overcome the club from the new American League. Boston pitchers Bill Dinneen and Cy Young led Boston to victory. In Game #1, Phillippe struck out ten Boston batters. The next day, Dinneen bettered that mark, striking out 11 Pittsburgh batters in Game #2.

Honus Wagner [was] bothered by injuries […] and committed six errors. The shortstop was deeply distraught by his performance. The following spring, Wagner […] refused to send his portrait to a “Hall of Fame” for batting champion:

“I was too bum last year. I was a joke in that Boston-Pittsburgh Series. What does it profit a man to hammer along and make a few hits, when they are not needed, only to fall down when it comes to a pinch? I would be ashamed to have my picture up now.”

Due to overflow crowds at the Exposition Park games in Allegheny City, if a batted ball rolled under a rope in the outfield that held spectators back, a “ground-rule triple” would be scored. [Seventeen] ground-rule triples were hit in the four games played at the stadium.

In the series, Boston came back from a three-games-to-one deficit, winning the final four games (on October 13) to capture the title…(118 years ago). Such a large comeback would not happen again until the Pirates came back to defeat the Washington Senators in the 1925 World Series […]. […] Much was made of the influence of Boston’s Royal Rooters, who traveled to Exposition Park and sang their theme song Tessie to distract the opposing players […]. Boston wound up winning three out of four games in Allegheny City.

Pirates owner Barney Dreyfuss added his share of the gate receipts to the players’ share, so the losing team’s players actually finished with a larger individual share than the winning team’s.

The Series brought the new American League prestige and proved its best could beat the best of the National League, thus strengthening the demand for future World Series competitions.

Wikipedia Summary

Additional:
Baffling Baseball Trivia
(Dom Forker/Wayne Stewart/Michael J. Pellowski/2004/Sterling Publishing Company/Web Archive)
Baseball Almanac (World Series History/The Official Baseball History Site)
Honus Wagner: A Biography (Dennis DeValeria/Jeanne Burke DeValeria/1996/1998/GoodReads)
Retro Sheet (Pre-1984 Baseball Analysis)
The First World Series and the Baseball Fanatics of 1903 (Roger L. Abrams/2003/Northeastern University Press/Web Archive)

Hans 2021 Song Draft: Round Seven-Pick Ten-Somebody’s Baby-Pat Benatar (1993)

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Somebodys Baby Discogs Image One
Image Credit: Discogs

Hanspostcard has a song draft challenge. This is my Round Seven pick.

Pat Benatar exploded on the music scene in the Summer/Fall of 1979 with her debut album In The Heat of the Night. I was in 8th grade and the first song I remember hearing on the radio from the album was Heartbreaker. I went to my hometown’s only mall and headed into a store called Stereo Village. I wanted this song and, when I asked for it, the guy trying to help me automatically thought I was talking about Led Zepplin. When I mentioned Pat Benatar’s song, he didn’t know what I was talking about. He told me to sing some of the music for him…so, my 13 year old self obliged, right there in the middle of the store, “in front of God and everybody” (Southern colloquialism). He still didn’t know the song but, said “Nice voice!” I never did get that 45 and a few months later, rolling into the new decade, We Live For Love was released in February and, I liked it even better than Heartbreaker. Crimes of Passion, her sophomore album, came out the following August and the hits kept coming. You Better Run (The Young Rascals cover) became the second video broadcast on the debut of MTV, behind Video Killed the Radio Star by The Buggles (a 45 I managed to get my hands on). I was a devoted fan at that point without owning a single song or album. By the time of my 16th birthday, a young man I was dating presented me with the Crimes of Passion album. I was overjoyed.

Gravity's Rainbow Discogs Image Two
Image Credit: Discogs

I nearly got to see her perform during the 1986 Seven the Hard Way tour. It started in January 1986 and stopped, abruptly, in April. She was a mom by then and family pressures caused cancellations. Greensboro Coliseum lost out. I did get to see her for the Can’t Stop Rockin’ tour in 1995 in Raleigh. Prior to those two, my mother considered me too young to see the earlier concerts. 😭

Gravity’s Rainbow was her ninth, and the last studio album to be in the Billboard 200 chart in the top 100s, peaking at #85 on June 19, 1993 and making it to #44 in Canada for one week on July 31, 1993. Named after the Thomas Pynchon novel, it was also the last album released on Chrysalis Records. It was not one of her better albums, statistically speaking but, it yielded three singles, two of which, I love. My favorite album of hers is, of course, the tour that got cancelled in 1986. That being said, after all these years of her music catalog, Somebody’s Baby is my favorite single, released July 5, 1993 (my second favorite single is Le Bel Age). She and Spyder James had already geared down quite a bit, releasing the blues-themed True Love in 1991, to much less fanfare than Wide Awake in Dreamland from 1988. True Love was her first album that did not rate with RIAA.

Somebody’s Baby did not chart on Billboard but, it did chart in the UK on the Singles Chart (#48), in Canada (#41) and in New Zealand (#36).

I am a fan of Benatar like Hans & Max are of the Beatles. I love this one because of the lyrics, the mood, the blend of the music and her stunning voice, though, in this piece, it is not quite as “up there” as when she sings Invincible (she has a four octave range). I am normally indifferent to most lyrics, choosing to immerse myself in musical arrangements and wonderful voices but, the writing speaks to my heart and I confess that, the first time I heard this, it brought me to tears. ~Vic

Additional:
BenatarGiraldo (Official Website)
Gravity’s Rainbow (RockWired/Brian Lush/06-12-2018)
Pat Benatar (Hip Online/01-05-2008)
Pat Benatar: Gravity’s Rainbow (Rolling Stone/Andrea Odintz/2003/Web Archive)
Richmond: Benatar’s Rise to Fame (Richmond Times-Dispatch/Nicole Kappatos/04-11-2017/Web Archive)

Lyrics

Unofficial Video?

Live On Leno

Regis & Kathie Lee Show (Stripped Down Short Version)

Hans 2021 Song Draft: Round Six-Pick 11-Fall On Me-R.E.M. (1986)

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Fall On Me REM Discogs Image One
Image Credit: Discogs

Hanspostcard has a song draft challenge. This is my Round Six pick.

Moving into 1986… My first introduction to R.E.M. wasn’t the radio or MTV. It was an odd video channel on Cablevision in the early 80s in my NC hometown (my mom only had basic cable…no MTV). I’ve talked at great length with Max (Powerpop Blogger) about this obscure video channel. I remember two VJs, one named “Dr. John” (not the musician) that wore blue scrubs and one named “Carrot Top” (not the comedian), that, of course, was a red-headed dude. I have no idea where this channel broadcast from but, it was a seriously stripped down operation. It was just rotating VJs, sitting at a desk, talking into a camera…and playing music videos. The first video I recall seeing was Radio Free Europe, the Murmur version, not the Hib-Tone single (I later found out). I was immediately hooked but, totally missed who the band was. (Interestingly, the Hib-Tone version was recorded at Drive-In Studios in Winston-Salem, NC and the Murmur version was recorded at Reflection Studios in Charlotte, NC.) Fast forward to the end of my senior year of high school and I see some of So. Central Rain (I’m Sorry) on MTV. I had no idea that this was the same band. It wasn’t until my sophomore year of college, when Driver 8 came out (another one I like), that a buddy of mine told me who R.E.M. was…a college band out of the University of Georgia (Bulldogs). Every piece of music of theirs that I was lucky enough to catch, I loved. Finally, in 1987, The One I Love broke thru to #9 on Billboard’s Hot 100 and they seemed to be everywhere. Their highest charting hit was Losing My Religion, getting to #4 in 1991. Out of their entire catalog, which is gi-hugic, Fall On Me wound up being my favorite, with my introductory piece, Radio Free Europe, coming in second. I wish I had seen them live.

Bit of odd trivia…five strange degrees of separation. R.E.M. had a manager by the name of Jefferson Holt. He was with them until 1996 when they got rid of him for sexual harassment. Jefferson Holt is from Chapel Hill and his mother is named Bertha “B” Holt. She was an NC State Rep. from 1975 to 1994, representing my home county (and another one). She was quite the pioneer, advocating for the ERA and married rape victims (which is ironic as hell considering her son’s behavior). My paternal grandmother was in Democratic politics in the 60s, 70s & 80s, running for local office, herself (and on first-names basis with several governors). She campaigned heavily for her favorites and “Bee” Holt was one of them. I met Bee Holt several times as a kid and remember all of her “Bee” 🐝 paraphernalia all over my grandmother’s house.

I guess this makes me closer to R.E.M. than Kevin Bacon! 😉 😊 ~Vic

RIAA Gold Album Image Two
Their first Gold album.
Image Credit: RIAA

Released 0n August 11, 1986, it was the third track from the album Lifes Rich Pageant. It debuted on the Billboard Hot 100 at #96 the weekend of October 4, peaking at #94 on October 11 before finally disappearing from the chart on October 25. It did better on the Album Rock Tracks, making it to #5 for one week on September 6.

“Of the genuinely new songs, Peter Buck’s basic music track for Fall On Me dated back to July of 1985, when Stipe had written a lyric about acid rain [but], the song had been virtually re-written, melody and lyrics, by the time it came to be recorded. Stipe, who declared in 1991 that “…this may be my favourite song in the R.E.M. catalogue…”, has described the final version as “…pretty much a song about oppression.” Trainspotters might like to know that the counter-melody used in the second verse is actually the song’s original tune.

Johnny Black (2004)
Reveal: The Story of R.E.M.
Page 123

Additional:
R.E.M. Fiction: An Alternative Biography (David Buckley/2012/Google Books)
R.E.M. HQ (Official Site)
The Complete R.E.M. (R.E.M. Timeline)

Lyrics

His Favorite Song

Thumbnut Thursday: Biden Vaccine Mandate

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Upside Down Turtle Brownstone Image
Photo Credit: Brownstone Institute

Yep. New heading. What is a thumbnut? From Merriam-Webster:

Wing Nut

What is a good definition of wing nut? From the Urban Dictionary:

A [piece] of metal that can be easily turned with the fingers used to anchor screws into wood or other material…[OR]

From Wikipedia: [A] pejorative American political term referring to a person who holds extreme, and often, irrational, political views.

President Biden has decided to go hard on the virus. No more Mr. Nice Guy. Sadly for him, those tiny little pathogens don’t pay taxes, don’t vote, don’t have Social Security numbers, can’t be drafted and don’t answer phone calls from poll takers, which is to say that he, and his agencies, cannot really control them. That must be frustrating, poor man. Instead his plan is to control what he can control: people and, most immediately, federal workers and the employees of large regulated companies. For him, the key to crushing the virus is the vaccine. Not enough people are obeying his demand for near-universal vaccination.

In a maniacal move of wild desperation, or as an excuse to try out the most extreme powers of his office, he is using every weapon that he believes he has to assure compliance with his dream of injecting as many arms as possible. Only then will we crush the virus, all thanks to his leadership…all the complaints about “freedom” be damned…and never mind that the realization of his dream did not work in Israel or the UK.

What are the immediate problems here? At least five:

[1] The Biden mandate pretends that the only immunity is injected, not natural […] even though all science for at least a year…actually, you can say centuries…contradicts that. Indeed, we’ve known about natural immunity since 400 B.C when Thucydides first wrote of the great Athens plague that revealed that “they knew the course of the disease and were themselves free from apprehension.” Biden’s mandate could affect 80 million people but, far more than that have likely been exposed and gained robust immunity regardless of vaccination status.

[2] This natural immunity is long-lasting, and broad, and we’ve known that since last year when the first studies revealed it. You can say that the addition of a vaccine provides even more but, it’s new, and untested, relative to most drugs approved by regulators. [Many] people are concerned about possible side effects of this vaccine, that was approved much faster than any drug in my lifetime, and there is not one living human being in a position to say with certainty that these skeptics are wrong.

[3] The mandate presumes that everyone is equally susceptible to severe outcomes from getting exposed to the virus, which we’ve known is not true since at least February 2020. In this entire 18-month fiasco, we’ve not seen any serious high-level communication about the huge range of demographic gradients in infection based on both age and overall health. This ignorance is a consequence of poor public-health messaging and is grossly irresponsible. The aggregated mandate from the Biden administration ignores this completely, as did the models that suggested lock-downs in the event of a virus from the Spring of 2020.

[4] Biden seems still of the belief that vaccines stop infection (he claimed this many times) and spread but, we know with certainty that this is not the case. [Even] the CDC admits it. The best guess at this point is that it can help in preventing hospitalization and death but, this experiment is still in its early stages. [The] relationship between cause and effect in human affairs is not as easy as throwing around two data sets and saying one caused the other. Most cases in the developed world, now, are occurring among the vaccinated…and we all know this because we have vaccinated friends who got Covid anyway. Some have died. We are not idiots, contrary to what the Biden administration believes, [nor] do any of us have all the knowledge and answers. [It] is precisely because science is uncertain that the decisions surrounding it need to be decentralized, depoliticized and open to correction rather than being imposed by top-down mandates.

[5] Biden’s order flies in the face of basic human freedoms and rights. There is no other way to put it. [It] is this fact that is the most prescient for the multitudes who are, right now, seething in anger that one man, who happens to hold power, can make health decisions for the whole population regardless of their perfectly rational judgements. When the needle filled with liquid is forced into the arms of people who either have natural immunities or do not fear exposure to the pathogen, it gets personal. [People] get really mad, especially after they are still forced into masks and denied other essential rights.

Continue Reading…

Hans 2021 Song Draft: Round Five-Pick 12-Minutes To Memories-John Mellencamp (1985)

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Scarecrow Mellencamp Image One
Image Credit: Discogs

Hanspostcard has a song draft challenge. This is my Round Five pick.

Pulling myself out of 1978, I am moving into the 1980s. ~Vic

John Mellencamp‘s Scarecrow album was released on August 5, 1985, 25 days prior to my 19th birthday and six weeks before I started my sophomore year of college. God, what an album. This was Mellencamp’s version of Born In The USA (I own both albums). Roots rock/Heartland rock was the music in the background of my graduation from high school and subsequent foray into college. Minutes To Memories was not an official release from the album but, it managed to make it to #14 on the Top Rock Tracks for one week as a non-single album track. It spoke volumes to me…

“You are young and you are the future
So, suck it up, tough it out
Be the best you can.”

Written by Mellencamp and his childhoon friend George M. Green, it is the #4 track on the album and Mimi Mapes sang backing vocals. Scarecrow made it to #2 on the Billboard 200 chart the week of November 16, 1985 (coming underneath Born In The USA, twice) and stayed for a couple of weeks, stuck behind the Miami Vice Soundtrack.

“I wrote a song called [You’ve Got To] Stand For Something,” [Mellencamp] explains, “but, I never did say what you should stand for…except your own truth. That song was supposed to be funny, too and, I hope people got that. But, I think that’s the key to the whole LP…suggesting that each person come to grips with their own individual truth […] and try to like themselves a little bit more. Find out what you as a person are […] and don’t let the world drag you down. People should have respect for and believe in themselves.”

John Cougar Mellencamp: Working Class Hero In The Rumbleseat
Bill Holdship
Creem
February 1986
Mellencamp Forum

John Mellencamp Image Two
Image Credit: mellencamp.com

A deeply felt sense of responsibility and an equally motivating need to atone for past missteps seem to define Scarecrow. On the midtempo Minutes to Memories, Mellencamp tells the story of a young boy riding home to Indiana after a trip to the South. In the next seat on the bus is a seventy-seven-year-old retired steelworker lecturing the child on how to live, backing his advice with experience. “My family and friends are the best things I’ve known,” he instructs, and the child, a budding rebel, chuckles to himself at how out of touch the old dog is.

Easing into the final verse, Mellencamp hushes his band. In a voice just above a whisper, he suddenly shifts the tale from third to first person. He’s the kid on the Greyhound and, his inability to comprehend, let alone act on, the wisdom he was given then, still haunts him… “Now that I’m older I can see he was right.” [T]hen Mellencamp reveals that he’s telling this story to his own son. He knows he’s being silently scoffed at as surely as his travel companion was two decades earlier. Still, he accepts it and the band rocks out.

Album Reviews: Scarecrow
Jimmy Guter
Rolling Stone
September 26, 1985

Official Website

There is no official video of this song but, the below is one guy’s idea.

Lyrics

Hans 2021 Song Draft: Round Four-Pick 13-Baker Street-Gerry Rafferty (1978)

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Baker Street Gerry Rafferty Blog Image One
Image Credit: ladiscothequeabob.blogspot.com

Hanspostcard has a song draft challenge. This is my Round Four pick.

I nearly abandoned the rest of the 1970s for the 1980s until Quinn’s pick. Listening, again, to Tears for Fears reminded me of how much I love a saxophone in rock music. I think I might stay in 1978 for a little while. It was a good year, musically…for me, anyway. I can remember buying this 45 at a Woolworths in my hometown’s only mall. I also remember playing it on my little suitcase record player. I was eleven at the time. There’s not much that Gerry Rafferty put out that I didn’t like. ~Vic

A Scotsman (I am from Clan MacPherson), Rafferty’s first band was The Humblebums (founded in 1965), joining comic Billy Connolly and Tam Harvey in 1969. Harvey departed shortly afterwards and, in 1971, Rafferty recorded his first solo album when he and Connolly parted company. In 1972, he joined with Joe Egan to form Stealers Wheel, their biggest hit being Stuck In The Middle With You from their first, self-titled album. After disbanding in 1975, legal issues over Stealers Wheel prevented him from releasing new material for three years.

Baker Street, the second track from the album City To City, was released February 3, 1978 or, possibly, January 20, 1978, depending and entered the Billboard Hot 100 chart the week of April 22, 1978. It made it to #2 the week of June 24, 1978 and stayed there, stuck behind Andy Gibb‘s Shadow Dancing, for six weeks (as a side note, my paternal aunt gave me the Shadow Dancing 8-track album for my twelfth birthday and it was shoved into a brand new stereo system from my parents):

Bill Wardlow & Cher Getty Image Two
Photo Credit: Getty Images
Bill Wardlow & Cher
September 18, 1976

“…Baker Street was a smash and it allegedly took some serious chart chicanery to keep it out of the #1 spot. [It] stalled out at #2 right as […] Gibb’s Shadow Dancing was in the midst of its seven-week run at #1. According to legend, the chart tabulators at Billboard had actually figured out that Baker Street had finally ascended to the #1 spot in one of those [seven] weeks and they’d called the new chart into the producers at Casey Kasem’s radio show, America’s Top 40 [sic]. But, because of a last-minute correction, Kasem had to re-record the end of that week’s show, putting Shadow Dancing back on top.

According to rumor, Bill Wardlow, Billboard chart director, made the call to keep Shadow Dancing at #1. Wardlow had supposedly gone to dinner with Andy Gibb’s managers and he’d mentioned that Baker Street had knocked Shadow Dancing out of the #1 spot. Gibb had been scheduled to perform at a Billboard-sponsored show in New York and his label threatened to pull him from the bill if Billboard didn’t keep Shadow Dancing on top…so that’s why Baker Street never got to #1. This is all pure speculation and hearsay but, it’s a good story. Record labels have been doing everything in their power to game the Billboard charts ever since those charts began and it certainly seems possible that Baker Street could’ve been a casualty of all that.

Tom Breihan
The Number Ones Bonus Tracks
Stereogum
September 22, 2020

“While doing a bit of research the other day, I found myself poking around the edition of Billboard dated February 17, 1973 (PDF), as one does.

Here’s some of what’s inside:
Willis “Bill” Wardlow has been named associate publisher of Billboard. Over the next several years, Wardlow would be responsible for occasionally jiggering the Billboard charts to reward or punish record labels and to do favors for industry friends. As we learned a few years ago, his manipulations led to Gerry Rafferty’s “Baker Street” spending only 12 hours at #1.”

J. A. Bartlett
The Only War
The Hits Just Keep On Comin’
February 24, 2021

Additional Reading:
40 Years Later: Gerry Rafferty’s Baker Street ~ The Most Controversial No. 2 Song Ever? (DJ Rob Blog/04-17-2018)
Baker Street: The Mystery of Rock’s Greatest Sax Riff (The Atlantic/Adam Chandler/12-17-2015)
Scott Paton: Billboard Insider Comment (The Hits Just Keep On Comin’ Website/AT40 From The Inside/09-16-2013)

Lyrics

Long Version

Smoking The Bible

Flick Friday: Rise Of The Planet Of The Apes 2011

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Rise of the Apes IMDb Image One
Image Credit: IMDb

Ten years ago, today, the #1 movie in theaters was Rise of the Planet of the Apes. Released August 5, it was directed by Rupert Wyatt and is based on the novel La Planète des singes by French novelist Pierre Boulle, translated to Planet of the Apes and, Monkey Planet in the UK. Written by Rick Jaffa & Amanda Silver (married writing team), it was produced by Jaffa, Silver, Peter Chernin and Dylan Clark. Thomas M. Hammel was Executive Producer and Patrick Doyle was the film composer. Cast: Andy Serkis (Caesar), James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton, David Oyelowo, David Hewlett, Karin Konoval (Maurice), Terry Notary (Rocket/Bright Eyes), Richard Ridings (Buck), Devyn Dalton (Cornelia), Jay Caputo (Alpha-Caesar’s Father) and Christopher Gordon (Koba).

At the story’s heart is Caesar, a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug’s creator, Will Rodman and a primatologist Caroline Aranha, Caesar ultimately finds himself taken from the humans he loves and imprisoned in an ape sanctuary in San Bruno. Seeking justice for his fellow inmates, Caesar gives the fellow apes the same drug that he inherited. He then assembles a simian army and escapes the sanctuary, putting man and ape on a collision course that could change the planet forever.

IMDb Summary

I liked this movie but, Roger Ebert was brutal. ~Vic

Trivia Bits:
♦ The jigsaw puzzle that Caesar has nearly completed is a depiction of Taylor and Nova from Planet of the Apes (1968), riding on a horse down the beach, just before coming upon the Statue of Liberty.
Koba, the scarred lab ape and, some apes at the Gen-Sys and sanctuary, are bonobos. This species was assumed, until very recently, to be a subspecies of chimp, explaining its absence in previous films.
Will Rodman’s surname is a nod to Planet of the Apes (1968) screenwriter Rod Serling.

Hans 2021 Song Draft: Round Three-Pick One-Driver’s Seat-Sniff ‘N’ The Tears (1978)

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Driver's Seat RYM Image One
Image Credit: Rate Your Music

Hanspostcard has a song draft challenge. This is my Round Three pick.

I can’t recall the first time I heard Driver’s Seat but, the song entered Billboard’s Hot 100 Chart on July 21, 1979. I was twelve and I was immediately hooked. It was released in 1978 but, took a while to gain any traction. It managed to get to #15 for a couple of weeks, sandwiched between Bad Case Of Loving You (Doctor, Doctor) by Robert Palmer and Born To Be Alive by Patrick Hernandez. It was the first track from Sniff ‘n’ The Tears debut album Fickle Heart and was the band’s only hit despite fifteen albums, spanning 1978 to 2020.

The history of this British rock band is a little sketchy. Colin Larkin, the British Editor-in-Chief of The Encyclopedia of Popular Music, stated in the 1997 edition that they “had been gigging in England as early as 1974” but, an Athens Calling interview in 2018 reflects 1972. A Jason Ankeny, writing for All Music, stated that lead singer/songwriter Paul Roberts dissolved the band after not being able to get a record deal. Drummer Luigi Salvoni talked Roberts into re-forming the band with Mick Dyche, Loz Netto, Chris Birkin and Alan Fealdman. Ankeny has the actual musician line-up all wrong in comparison to the official website. There is also no mention of Noel McCalla as backing vocals for the time period. The name of the band apparently came from their manager, as Roberts had hay fever and sniffed a lot.

The band is still active as of 2001 as a quartet, with Roberts & Salvoni still working together. ~Vic

Lyrics

Top of the Pops 1979 (Proper Line-Up)

Official Video

Hans 2021 Song Draft: Round Two-Pick Two-Cathy’s Clown-Everly Brothers (1960)

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Everly Brothers Stereogum Image
Image Credit: Stereogum

Hanspostcard has a song draft challenge. This is my Round Two pick.

I grew up around lots of music. My dad had his tastes, my mom had hers and I got some exposure to my grandparents music, too. There was plenty of Elvis, Buddy Holly, Everly Brothers, Ricky Nelson, Gene Pitney, Chuck Berry, Johnny Cash, Johnny Horton, The Ventures, The Beach Boys, instrumental music (think Hugo Montenegro or Paul Mauriat), funny stuff like Ben Colder/Sheb Wooley, Ray Stevens or David Seville (my dad’s stuff), The Four Seasons, Motown, soul music, beach music (my mom’s stuff), big band music (my paternal grandparents) and, bluegrass, country and Latin/jazz (maternal grandparents). One song, in particular, that reminds me of my dad the most is Cathy’s Clown. When I was a kid, my dad liked to just get in the car, drive around and listen to the radio. It was, literally, No Particular Place To Go. When I became an adult, we’d still get in the car and cruise. He and I would sing Cathy’s Clown, together, with me taking Phil’s harmony. I still own my dad’s original 45. ~Vic

Written by Don, it was recorded in March and released in April 1960. It was recorded live, in a single take, with both brothers sharing a microphone. Floyd Cramer was on piano, Floyd Chance on bass and Buddy Harman on drums. An odd song, it has a chorus and bridges but, no verses. It was their first single for Warner Bros. It spent five weeks at #1 on Billboard’s Hot 100 chart, one week on the Billboard’s R&B chart and seven weeks at #1 on UK’s Singles chart. It was their biggest selling single and their last #1 after Wake Up Little Susie and All I Have to Do Is Dream.

The song is ranked at #150 Rolling Stone’s 500 Greatest Songs of All Time and it was added to the National Recording Registry of the Library of Congress in 2013. Covers have been done by Reba McEntire and Neil Sedaka (1983) with McEntire’s version reaching #1 on Billboard’s Hot Country Songs chart and Canada’s RPM Country Tracks chart in 1989. There is even a Jan and Dean version on Filet Of Soul Redux: The Rejected Master Recordings (2017).

“We owe those guys everything. They started it all.” ~Bob Dylan

Additional Reading & References:
The Everly Brothers: That Sibling Sound (BBC News/2014)
Cathy’s Clown ~ The Everly Brothers (Library of Congress/PDF)
Recording Cathy’s Clown (Steve Hoffman Music Forum)

Lyrics

Saturday Night Beech-Nut Show 1960

Music Monday: Wachet! Betet! Betet! Wachet! 1716

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Johann Sebastian Bach Wikipedia Image
Artist: Elias Gottlob Haussmann 1748
Collection: Bach-Archiv_Leipzig
Source: Dave’s J. S. Bach Page
Photographer: David J. Grossman

Johann Sebastian Bach was a German composer and organist. The most important member of the Bach family, his genius combined outstanding performing musicianship with supreme creative powers in which forceful and original inventiveness, technical mastery and intellectual control, are perfectly balanced. While it was in the former capacity, as a keyboard virtuoso, that in his lifetime he acquired an almost legendary fame, it is the latter virtues and accomplishments, as a composer, that, by the end of the 18th century, earned him a unique historical position. His musical language was distinctive and extraordinarily varied, drawing together and surmounting the techniques, the styles and the general achievements, of his own and earlier generations, and leading on to new perspectives, which later ages have received, and understood, in a great variety of ways.

Bach Cantatas Website

Wachet! Betet! Betet! Wachet! (Watch! Pray! Pray! Watch!) is the title of two church cantatas by Johann Sebastian Bach. He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.

On [March] 2, 1714, Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. Bach originally wrote this cantata in his last year there […].

The instrumentation of the Weimar cantata is lost.

Bach first performed the cantata on [December] 6, 1716.

Wikipedia Summaries

Additional Reading:
Bach Cantata Translations (Emmanuel Music Organization Website)
Chapter 28 BWV 70 (The Cantatas of Johann Sebastian Bach by Julian Mincham)

Bach-Collegium Stuttgart
Gächinger Kantorei Choir
Helmuth Rilling


Dvořák Hall Prague
Monteverdi Choir
John Eliot Gardiner